Bodies in a movement: Maddy Costa writes on Coletiva Ocupação’s ‘radiant’ show telling the stories of some of the Brazilian students who occupied their schools in 2015.

‘Blood drips across the century but the vein still binds’: Maddy Costa writes on double bill of searing performances by Ultimate Dancer and Julie Cunningham, part of NOW 20.

Circus at the end of the world: Maddy Costa writes on Ockham Razor’s intergenerational aerial collaboration.

A howl of despair: Maddy Costa writes on Leah Shelton’s latex-clad, lipsync take on the myth of Pandora’s box.

Imagining a future: Maddy Costa writes on Danish theatre company Fix & Foxy’s ‘materially sparse, philosophically expansive’ show.

Becoming universal: Maddy Costa writes on Danusia Samal’s new play, a ‘familiar, homely and true’ exploration of its characters’ tangled identities.