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London Theatre


Review: The Winston Machine, New Diorama Theatre
30 January 2022
Reviews • OWE & Fringe

Review: The Winston Machine, New Diorama Theatre

25th January - 19 February
By Lily Levinson

We’ll meet again: Lily Levinson writes on Kandinsky’s new show, which thoughtfully explores ‘the bleak dangers of nostalgic nationalism’.


Review: The Glow, Royal Court Theatre
29 January 2022
Reviews • West End & Central

Review: The Glow, Royal Court Theatre

By Hannah Greenstreet

Let there be light: Hannah Greenstreet reviews Alistair McDowall’s dazzling new play.


Review: Freud’s Last Session, King’s Head Theatre
25 January 2022
Reviews • OWE & Fringe

Review: Freud’s Last Session, King’s Head Theatre

18th January - 12th February
By Brendan Macdonald

Talking cure: Brendan Macdonald reviews a new production of Mark St Germain’s play that imagines an encounter between Sigmund Freud and Lewis Carroll.


Review: The 4th Country, Park Theatre
16 January 2022
Reviews • OWE & Fringe

Review: The 4th Country, Park Theatre

By Brendan Macdonald

Anxieties of authorship: Brendan Macdonald writes on Kate Reid’s play, which explores representations of Northern Ireland through ‘an engaging and poignant drama’.


Review: Bluebelle, Shoreditch Town Hall (LIMF)
16 January 2022
Reviews • OWE & Fringe

Review: Bluebelle, Shoreditch Town Hall (LIMF)

By Lily Levinson

‘A warm twinkle and touches of wonder’: Lily Levinson writes on Theatre Re’s ensemble fairytale.


Review: Folk, Hampstead Theatre
8 January 2022
Reviews • OWE & Fringe

Review: Folk, Hampstead Theatre

18th December - 5th February
By Emily Davis

A soaring voice: Emily Davis writes on Nell Leyshon’s new play that captures ‘how it feels to sing and love singing’ through the history of folk songs.


Review: Holiday Sauce…Booster! (Barbican, online)
22 December 2021
Reviews • OWE & Fringe

Review: Holiday Sauce…Booster! (Barbican, online)

By Brendan Macdonald

‘A heady, carousing festive fantasy’: Brendan Macdonald reviews Taylor Mac’s virtual vaudeville.


Review: Peggy for You at Hampstead Theatre
20 December 2021
Reviews • OWE & Fringe

Review: Peggy for You at Hampstead Theatre

10 December - 29 January
By Hannah Greenstreet

New writing, old tropes: Hannah Greenstreet reviews an overly reverent backward-looking take on the story of formidable literary agent Peggy Ramsay.


Review: Ghost Walk, New Diorama Theatre
13 December 2021
Reviews • OWE & Fringe

Review: Ghost Walk, New Diorama Theatre

11th-13th December
By Elete N-F

Spooky season: Elete N-F writes on Poltergeist’s audio-guided narrative walk that ‘brings life to an otherwise pretty lifeless area’.


Review: The Wife of Willesden at Kiln Theatre
20 November 2021
Reviews • OWE & Fringe

Review: The Wife of Willesden at Kiln Theatre

20 November - 15 January
By Elete N-F

A celebration of the community of Brent: Elete N-F writes on Zadie Smith’s ‘joyous’ contemporary adaptation of The Wife of Bath.


Review: Straight White Men at Southwark Playhouse
19 November 2021
Reviews • OWE & Fringe

Review: Straight White Men at Southwark Playhouse

By Frey Kwa Hawking

‘I find myself wishing that this production excavated some deeper weirdness’: Frey Kwa Hawking writes on Young Jean Lee’s 2014 play exploring white privilege.


Review: SAMSKARA at the Yard
17 November 2021
Reviews • OWE & Fringe

Review: SAMSKARA at the Yard

8th - 26th November
By Farah Najib

Lasting impressions: Farah Najib writes on Lanre Malaolu’s ‘joyful and hard-hitting’ choreographic interrogation of Black masculinity.


Review: Milk and Gall at Theatre 503
14 November 2021
Reviews • OWE & Fringe

Review: Milk and Gall at Theatre 503

By Emily Davis

A difficult birth: Emily Davis writes on Mathilde Dratwa’s ‘playful and confident’ new play that brings together the personal and the political in the Trump era.


Review: Sessions at Soho Theatre
13 November 2021
Reviews • OWE & Fringe

Review: Sessions at Soho Theatre

24 September - 2 December
By Miriam Sallon

Talking therapy: Miriam Sallon writes on Ifeyinwa Frederick’s new play that explores masculinity and depression.


Review: ‘night, Mother at the Hampstead Theatre
2 November 2021
Reviews • OWE & Fringe

Review: ‘night, Mother at the Hampstead Theatre

By Mert Dilek

‘Thick realism’: Mert Dilek writes on Roxana Silbert’s dated revival of Marsha Norman’s ‘grim suicide drama’.


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