Neil Bettles, artistic director of Manchester-based company ThickSkin, writes on how experimenting with VR could bring touring theatre to new audiences
Jade Montserrat writes on the germination process of her new filmed performance, part of performingbordersLIVE20.
As artists come under pressure not to bite the hand that feeds them, Angelo Irving argues that it’s time to see the government’s actions for what they really are.
Traverse Theatre’s incoming co-artistic director Debbie Hannan talks class, the fringe, and rethinking theatre’s power structures.
As the UK’s leaders use the language of business to justify further devastation to theatre, Alice Saville argues that they’re looking for value in the wrong places.
Should cases be tried in theatres? Natasha Tripney asks lawyers and theatremakers for their views on the Lowry’s role as a temporary courtroom.
As the crowds trickle back into central London, Ava Wong Davies embarks on two headphone-led encounters with the city.
“We need to imagine the impossible”: after her nomination for a Stage Debut Award, Rachel Nwokoro talks disability and social change.
…so we can rest, recuperate, and make plans on how to come back stronger.
The fringe is (mostly) cancelled – so here are some highly creative tips on how to recreate the magic, without leaving your home.
Poppy Burton-Morgan writes on why working from home makes it extra-important to learn how to close the door.
Maddy Costa reflects on the conversations started by WTF Next, an online meeting place to discuss the future of theatre.
Alice Saville writes on surviving through lockdown, and learning to love livestreamed theatre.
Sh!t Theatre celebrate their fringe anniversary (and unexpected year off) with this whistletop tour of ten years of not getting paid in the rain.
The 2020 Edinburgh fringe is (mostly) cancelled this year. So Natasha Tripney’s cut-up style poem imagines what the festival will be like, when it returns.