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Glasgow


Review: High Man Pen Meander at Tron Theatre, Glasgow (online)
11 December 2020
Reviews • Glasgow • National

Review: High Man Pen Meander at Tron Theatre, Glasgow (online)

8-13 December
By Andrew Edwards

Living architecture: Andrew Edwards reviews a homage to Glasgow poet Edwin Morgan which takes the audience backstage at the Tron.


Review: MAIM at Tron Theatre, Glasgow
14 March 2020
Reviews • Glasgow • National

Review: MAIM at Tron Theatre, Glasgow

11-14 March, then touring
By Andrew Edwards

‘Head above water’: Andrew Edwards reviews Theatre Gu Leòr’s multilingual play about climate crisis and the erosion of the Gàidhlig language.


Review: Magic Theatre – [scenes from the unconscious] at CCA, Glasgow
29 November 2019
Reviews • Glasgow • National

Review: Magic Theatre – [scenes from the unconscious] at CCA, Glasgow

21-22 November
By Andrew Edwards

Andrew Edwards writes on the “exhilaration and fear-induced defecation” of Jian Yi’s ambitious, visually rich multimedia fusion of Butoh and live art.


Review: The Monstrous Heart at Traverse, Edinburgh
28 October 2019
Reviews • Glasgow • National

Review: The Monstrous Heart at Traverse, Edinburgh

22 October - 2 November
By Christine Irvine

Family monsters: Christine Irvine reviews Oliver Emmanuel’s dark, tormented play about an estranged mother and daughter.


Review: DADDERS at Dance International Glasgow
27 October 2019
Reviews • Glasgow • National

Review: DADDERS at Dance International Glasgow

22 October, then touring
By Andrew Edwards

Welcome to the Meadowdrome: Andrew Edwards writes on Frauke Requardt and Daniel Oliver’s participatory show about neurodivergence and family-building.


Review: Crowd at Dance International Glasgow
20 October 2019
Reviews • Glasgow • National

Review: Crowd at Dance International Glasgow

16 October
By Andrew Edwards

Rave speed 0.25: Andrew Edwards writes on French choreographer Gisèle Vienne’s slow motion, dirt-smeared party.


Review: GRIN at Dance International Glasgow
14 October 2019
Reviews • Glasgow • National

Review: GRIN at Dance International Glasgow

11-12 October
By Andrew Edwards

‘Dances for those who dance them’: Andy Edwards on V/DA’s survey of Afro-Caribbean dance and its radical ‘strategy of refusal’.


Review: The Ugly One at Tron Theatre, Glasgow
10 July 2019
Reviews • Glasgow • National

Review: The Ugly One at Tron Theatre, Glasgow

4-20 July
By Christine Irvine

Slapstick under a scalpel: Christine Irvine reviews Debbie Hannan’s pastel-plastic production of Marius von Mayenburg’s satire on beauty and fame.


Review: Them! at Tramway, Glasgow
2 July 2019
Reviews • Glasgow • National

Review: Them! at Tramway, Glasgow

27 June-6 July
By Christine Irvine

All change: Christine Irvine writes on the shape-shifting theatrics of Pamela Carter and Stewart Laing’s exploration of change.


Review: Drone at the Tron, Glasgow
14 April 2019
Reviews • Glasgow • National

Review: Drone at the Tron, Glasgow

11-13 April, then touring
By Andrew Edwards

‘Locked in crosshairs’: Andy Edwards on the disorienting experience of watching Harry Josephine Giles’ catalogue of contemporary violences.


Review: Nora: A Doll’s House at Tramway, Glasgow
26 March 2019
Reviews • Glasgow • National

Review: Nora: A Doll’s House at Tramway, Glasgow

15 March - 6 April
By Andrew Edwards

‘Before, after and aside’: Andrew Edwards writes on a multi-layered reworking of Ibsen’s classic from writer Stef Smith.


Review: Interference at City Park, Glasgow
21 March 2019
Reviews • Glasgow • National

Review: Interference at City Park, Glasgow

16-30 March
By Christine Irvine

Last year’s model: Christine Irvine writes on attitudes towards technology in National Theatre of Scotland’s trilogy of tech-inflected dystopian shorts.


Review: Heart of Darkness at Tron Theatre, Glasgow
12 March 2019
Reviews • Glasgow • National

Review: Heart of Darkness at Tron Theatre, Glasgow

7-9 Mach, then touring
By Andrew Edwards

‘Constructed in layers before our eyes’: Andrew Edwards reviews imitating the dog’s ambitious, cinematic re-working of Joseph Conrad’s novel.


Review: no + politics or What We Want/Glasgow Edition at CCA, Glasgow
19 January 2019
Reviews • Glasgow • National

Review: no + politics or What We Want/Glasgow Edition at CCA, Glasgow

17-18 January
By Lorna Irvine

‘Like watching Trip Advisor glitching’: Lorna Irvine reviews German dance-theatre company Tatraum Projekte Schmidt’s piece on sharing space in contemporary Europe.


Review: Mammy Goose at the Tron, Glasgow
3 December 2018
Reviews • Glasgow • National

Review: Mammy Goose at the Tron, Glasgow

By Andrew Edwards

Farting geese and the spirit of Christmas: Andy Edwards reviews Johnny McKnight’s deliriously silly and subversive panto.


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