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Glasgow


Review: Dance International Glasgow, Tramway
28 October 2021
Reviews • Glasgow • National

Review: Dance International Glasgow, Tramway

1-23 October
By Andrew Edwards

How it feels: Andrew Edwards reviews a selection of contemporary dance across forms, from installation to interactive performance and film.


Review: BUZZCUT Festival (online)
12 June 2021
Reviews • Glasgow • National

Review: BUZZCUT Festival (online)

3-5 June
By Naomi Obeng

Digital ritual: Naomi Obeng writes on a cornucopia of offerings from Glasgow’s DIY live art festival.


Review: Take Me Somewhere festival, Glasgow (online)
3 June 2021
Reviews • Glasgow • National

Review: Take Me Somewhere festival, Glasgow (online)

By Andrew Edwards

Take Me Online: Andrew Edwards reviews a selection of transporting works from Glasgow’s festival of performance and live art.


Review: The Making of Pinocchio at Take Me Somewhere (online)
3 June 2021
Reviews • Glasgow • National

Review: The Making of Pinocchio at Take Me Somewhere (online)

21 May
By Ben Kulvichit

Material world: Ben Kulvichit reviews Rosana Cade and Ivor MacAskill’s adaptation of Pinocchio as an autobiographical gender transition allegory.


Review: A Certain Value at Take Me Somewhere (online)
28 May 2021
Reviews • Glasgow • National

Review: A Certain Value at Take Me Somewhere (online)

26-29 May
By Maddy Costa

Alternative living: Maddy Costa shares her correspondences with friends about Anna Rispoli and Martina Angelotti’s show about four radical European collectives.


Review: Earwig at Tron Theatre, Glasgow (online)
12 February 2021
Reviews • Glasgow • National

Review: Earwig at Tron Theatre, Glasgow (online)

27 January - 10 March
By Tracey Sinclair

Theatre for the cochlea: Tracey Sinclair reviews a varied set of audio-plays produced by sound designer Danny Krass.


Review: High Man Pen Meander at Tron Theatre, Glasgow (online)
11 December 2020
Reviews • Glasgow • National

Review: High Man Pen Meander at Tron Theatre, Glasgow (online)

8-13 December
By Andrew Edwards

Living architecture: Andrew Edwards reviews a homage to Glasgow poet Edwin Morgan which takes the audience backstage at the Tron.


Review: MAIM at Tron Theatre, Glasgow
14 March 2020
Reviews • Glasgow • National

Review: MAIM at Tron Theatre, Glasgow

11-14 March, then touring
By Andrew Edwards

‘Head above water’: Andrew Edwards reviews Theatre Gu Leòr’s multilingual play about climate crisis and the erosion of the Gàidhlig language.


Review: Magic Theatre – [scenes from the unconscious] at CCA, Glasgow
29 November 2019
Reviews • Glasgow • National

Review: Magic Theatre – [scenes from the unconscious] at CCA, Glasgow

21-22 November
By Andrew Edwards

Andrew Edwards writes on the “exhilaration and fear-induced defecation” of Jian Yi’s ambitious, visually rich multimedia fusion of Butoh and live art.


Review: The Monstrous Heart at Traverse, Edinburgh
28 October 2019
Reviews • Glasgow • National

Review: The Monstrous Heart at Traverse, Edinburgh

22 October - 2 November
By Christine Irvine

Family monsters: Christine Irvine reviews Oliver Emmanuel’s dark, tormented play about an estranged mother and daughter.


Review: DADDERS at Dance International Glasgow
27 October 2019
Reviews • Glasgow • National

Review: DADDERS at Dance International Glasgow

22 October, then touring
By Andrew Edwards

Welcome to the Meadowdrome: Andrew Edwards writes on Frauke Requardt and Daniel Oliver’s participatory show about neurodivergence and family-building.


Review: Crowd at Dance International Glasgow
20 October 2019
Reviews • Glasgow • National

Review: Crowd at Dance International Glasgow

16 October
By Andrew Edwards

Rave speed 0.25: Andrew Edwards writes on French choreographer Gisèle Vienne’s slow motion, dirt-smeared party.


Review: GRIN at Dance International Glasgow
14 October 2019
Reviews • Glasgow • National

Review: GRIN at Dance International Glasgow

11-12 October
By Andrew Edwards

‘Dances for those who dance them’: Andy Edwards on V/DA’s survey of Afro-Caribbean dance and its radical ‘strategy of refusal’.


Review: The Ugly One at Tron Theatre, Glasgow
10 July 2019
Reviews • Glasgow • National

Review: The Ugly One at Tron Theatre, Glasgow

4-20 July
By Christine Irvine

Slapstick under a scalpel: Christine Irvine reviews Debbie Hannan’s pastel-plastic production of Marius von Mayenburg’s satire on beauty and fame.


Review: Them! at Tramway, Glasgow
2 July 2019
Reviews • Glasgow • National

Review: Them! at Tramway, Glasgow

27 June-6 July
By Christine Irvine

All change: Christine Irvine writes on the shape-shifting theatrics of Pamela Carter and Stewart Laing’s exploration of change.


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