As the UK's leaders use the language of business to justify further devastation to theatre, Alice Saville argues that they're looking for value in the wrong places.
Enter your email address below to get an occasional email with Exeunt updates and featured articles.
Ava Wong Davies
As the crowds trickle back into central London, Ava Wong Davies embarks on two headphone-led encounters with the city.
J N Benjamin
Rachel Nwokoro: “The thing that the arts industry doesn’t do for disabled people is create space and time.”
“We need to imagine the impossible”: after her nomination for a Stage Debut Award, Rachel Nwokoro talks disability and social change.
...so we can rest, recuperate, and make plans on how to come back stronger.
Francesca Peschier and Alice Saville
The fringe is (mostly) cancelled - so here are some highly creative tips on how to recreate the magic, without leaving your home.
Two Nora Ephron fans discuss the rain and romance of Sleepless, the first indoor musical since March.
Louise Jones reviews an outdoor monologue with a soundtrack that chimes with its themes of grief and spirituality.
Give it time: Ben Kulvichit writes on how durational performances are perfectly suited to the present moment.
Poppy Burton-Morgan writes on why working from home makes it extra-important to learn how to close the door.
Maddy Costa reflects on the conversations started by WTF Next, an online meeting place to discuss the future of theatre.
Alice Saville writes on surviving through lockdown, and learning to love livestreamed theatre.
Sh!t Theatre celebrate their fringe anniversary (and unexpected year off) with this whistletop tour of ten years of not getting paid in the rain.