The morality of art: Hailey Bachrach writes on Paula Vogel's intriguing play about scandal, representation, and the role of theatre.
An imaginary conversation between two theatregoers at a mostly-maskless West End show.
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A richer and more complex beast: Emily Davis reviews the stage version of the beloved Disney movie.
Shapes and colours: Ben Kulvichit reviews two contrasting dance works as part of the Horizon showcase's public programme.
Following the release of new film Censor, Natasha Tripney traces the stories of screen violence, from Mary Whitehouse's outrage to today's horror theatre livestreams.
Alice Saville writes about the strangeness and specialness of 2021's smaller-than-ever fringe festival.
Holly Maples and Allie Young
"This is not a leveller": Holly Maples and Allie Young explore the pandemic's impact on working class artists, as part of the Freelancers in the Dark research project.
Ava Wong Davies
Two years after it premiered, seven methods is moving from Royal Court's studio to its main house. Ava Wong Davies asks its director Milli Bhatia about what's changed.
'Sucked into the void': Farah Najib writes on Diane Page's revival of Athol Fugard's dense, challenging play that skewers racial injustice.
It's still unclear what form 2021's Edinburgh Fringe is going to take. Alice Saville argues that for the festival to survive, deeper conversation and decisive change is needed.
Last year, theatres made sweeping redundancies. As venues reopen, and roles start to be readvertised, Salome Wagaine argues that changes need to be made.
As theatres reopen, Adam Welsh thinks about how little has changed - and about the potential fpr digital theatre to signal a different future.
Theatres in England reopen in less than a week. Will the past year's online experiments be forgotten? Fergus Morgan argues that they shouldn't be.