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Alice Saville collates some arguments for urgently funding theatres now, so that they'll still be there for us in whatever world awaits us in 2021.
“Something positive came out of this shitty situation:” Natasha Tripney talks to the artists who are moving Eastern European arts festival POSTWEST online.
Francesca Peschier chats to a horde of theatremakers/dungeon-masters/rampaging orcs to ask what theatre can learn from D&D.
Lucy Bell writes on the underexplored challenges and unexpected aptitudes that come from mixing a career in the arts with life as a carer.
A new initiative is holding theatres accountable on Black representation. Here's more info, plus thoughts on Exeunt's aims for the future.
A tragedy in two acts: Natasha Tripney assesses the theatrical merits of the government's most recent instalments of live-streamed satire
"When you go to a live performance, you take your body with you": Annie Saunders writes on the essential connection between medium and message.
Holly Williams loops back to Simon McBurney's time-bending binaural adventure, and asks him what it can say to lockdown audiences.
A group of theatre and performance organisations
A group of theatre and performance organisations are coming together to offer support and a voice to freelancers. Their open letter explains why.
We could have celebrity monologues in half-empty auditoriums. Or, we could look to the experimental theatremakers who've made space for new forms.