Slapstick metatheatre: Lilith Wozniak reviews Told By an Idiot’s comic tribute to Charlie Chaplin and Stan Laurel.
Menace à trois: Lilith Wozniak reviews a revival of Pinter’s reverse-chronological adultery drama
Balancing act: Lilith Wozniak writes on an untamed, ebullient production of Rapunzel which trusts its audience with nuance.
Cartoon magic: Lilith Wozniak reviews Protein Dance’s ‘playful and joyous’ adaptation of the much-loved book.
Are you sitting comfortably?: Lilith Wozniak reviews Vanessa Redgrave’s collection of personal and political histories from the lead-up to the Second World War.
A rich tapestry: Lilith Wozniak reviews Nick Makoha’s autobiographical play about stories of exile and displacement.
A canny comedy crime caper: Ben Kulvichit reviews New Old Friend’s latest addition to their popular touring murder mystery series.
Heartbeats or voice recordings: Lilith Wozniak reviews Bristol’s Shakespeare at the Tobacco Factory at their new home in Bath.
Another portrait of the artist: Rosemary Waugh reviews Alan Franks’ new play about Lucian Freud.
A holey picture of holiness: Rosemary Waugh reviews Jonathan Church’s revival of David Hare’s Church of England play.
Well within the bounds of respectability.
Roger McGough takes on Molière.