Material world: Ben Kulvichit reviews Rosana Cade and Ivor MacAskill’s adaptation of Pinocchio as an autobiographical gender transition allegory.
A mood: Ben Kulvichit writes on an audio piece which invites the listener on a stroll in the rain.
‘Interdependent beings’: Ben Kulvichit writes on a digital festival exploring the complex relationships between humans and technology.
Give it time: Ben Kulvichit writes on how durational performances are perfectly suited to the present moment.
Hope in the dark: Ben Kulvichit discovers underground caves, cardboard time capsules and durational circus feats at BE Festival’s online edition.
“I’m watching parallel universes existing on top of each other” – Ben Kulvichit dreams up a hectic performance by two Berlin-based dance artists.
I could do so much more: Ben Kulvichit reviews Chris Bush’s ambitious, time travelling reinterpretation of Doctor Faustus.
Gods and myths: Ben Kulvichit reviews a double bill of shows about spirituality and Black representation, and queering Greek mythology.
Mammals in space: Ben Kulvichit reviews Figs in Wigs’ irreverent take on Kenneth Grahame’s pastoral fantasia, with added space rockets and iPhones.
Touch, crawl, jump: improvisation with toddlers, dreams and desire, Welsh language and skipping rope at Cardiff’s biennial festival of contemporary dance.
Dive into the unknown: Ben Kulvichit live blogs his journey through 2019’s Fierce Festival.
The tears of a clown: Ben Kulvichit writes on the poignant chaos of Forced Entertainment’s new show.
In this interview with Ben Kulvichit, the writer-director duo discuss their show Wild Swimming, symbiosis, and why emerging artists need to make mistakes.
Woozy half-consciousness: Ben Kulvichit writes on Darkfield’s latest shipping container show.
A day in the life: Ben Kulvichit writes on Antler’s fusion of theatrical naturalism and contemporary dance.