Shapes and colours: Ben Kulvichit reviews two contrasting dance works as part of the Horizon showcase’s public programme.
Ben Kulvichit
Articles by Ben Kulvichit
3 June 2021
Reviews • Glasgow • National
Review: The Making of Pinocchio at Take Me Somewhere (online)
21 May
By Ben Kulvichit
Material world: Ben Kulvichit reviews Rosana Cade and Ivor MacAskill’s adaptation of Pinocchio as an autobiographical gender transition allegory.
21 March 2021
Reviews • OWE & Fringe
Review: A Rain Walk at The Place (online)
11-28 March
By Ben Kulvichit
A mood: Ben Kulvichit writes on an audio piece which invites the listener on a stroll in the rain.
12 February 2021
Reviews
Review: Present Futures festival (online)
5-7 February
By Ben Kulvichit
‘Interdependent beings’: Ben Kulvichit writes on a digital festival exploring the complex relationships between humans and technology.
24 August 2020
Reviews • Redux Reviews
Redux Review: Call It A Day/Crack of Dawn by Greg Wohead
By Ben Kulvichit
Give it time: Ben Kulvichit writes on how durational performances are perfectly suited to the present moment.
21 May 2020
Reviews • National
Review: BE at Home
By Ben Kulvichit
Hope in the dark: Ben Kulvichit discovers underground caves, cardboard time capsules and durational circus feats at BE Festival’s online edition.
18 April 2020
Reviews • Imaginary Reviews
Imaginary Review: Everything at the Same Time
By Ben Kulvichit
“I’m watching parallel universes existing on top of each other” – Ben Kulvichit dreams up a hectic performance by two Berlin-based dance artists.
16 March 2020
Reviews • Bristol • National
Review: Faustus: That Damned Woman at Bristol Old Vic
10-21 March, then touring
By Ben Kulvichit
I could do so much more: Ben Kulvichit reviews Chris Bush’s ambitious, time travelling reinterpretation of Doctor Faustus.
16 February 2020
Reviews • OWE & Fringe
Review: NOW Week 4 at The Yard
11-15 February, then touring
By Ben Kulvichit
Gods and myths: Ben Kulvichit reviews a double bill of shows about spirituality and Black representation, and queering Greek mythology.
20 December 2019
Reviews • Cambridge • National
Review: The Wind in the Willows at Cambridge Junction
11 December -5 January
By Ben Kulvichit
Mammals in space: Ben Kulvichit reviews Figs in Wigs’ irreverent take on Kenneth Grahame’s pastoral fantasia, with added space rockets and iPhones.
5 December 2019
Reviews
Review: Cardiff Dance Festival
8-24 November
By Ben Kulvichit
Touch, crawl, jump: improvisation with toddlers, dreams and desire, Welsh language and skipping rope at Cardiff’s biennial festival of contemporary dance.
17 October 2019
Features • Festivals
Fierce Festival 2019
By Ben Kulvichit
Dive into the unknown: Ben Kulvichit live blogs his journey through 2019’s Fierce Festival.
17 October 2019
Reviews • OWE & Fringe
Review: Out of Order at the Southbank Centre
12-14 October
By Ben Kulvichit
The tears of a clown: Ben Kulvichit writes on the poignant chaos of Forced Entertainment’s new show.
12 September 2019
Features • Q&A and Interviews
FullRogue Theatre: “The cult of confidence has to go”
By Ben Kulvichit
In this interview with Ben Kulvichit, the writer-director duo discuss their show Wild Swimming, symbiosis, and why emerging artists need to make mistakes.
25 August 2019
Reviews • Edinburgh Fringe 2019
Edinburgh fringe review: Coma by Glen Neath and David Rosenberg
By Ben Kulvichit
Woozy half-consciousness: Ben Kulvichit writes on Darkfield’s latest shipping container show.