Jordan G. Teicher reviews Matt Cox’s tribute to the under-celebrated Hogwarts house.
Dominique Morisseau takes on the school-to-prison paradigm in her newest play. Cameron Kelsall reviews.
Patrick Maley reviews The Seeing Place’s revival of Caryl Churchill’s 1979 play.
Despite its compelling trio of strong female leads, Alison Walls wonders why this ’90s family drama has lost its punch.
Lane Williams reviews New York City Opera’s truncated, sometimes thrilling adaptation.
Violent and provocative, Robert Icke and Duncan Macmillan’s 1984 brings Big Brother to Broadway with Tom Sturridge and Olivia Wilde
Loren Noveck reviews a play about its own impossibility to be, in the face of the impossibly huge challenge of climate change.
Loren Noveck and Molly Grogan review the newest immersive experience by Third Rail Projects, backstage at Lincoln Center.
Oskar Eustis takes on the would-be iron-fisted ruler with a heavy, heavy hand. Gabe Cohn reviews.
Kirsten Childs’ larger than life heroine does some serious booty-smacking. Dan O’Neil reviews.
Activism, terrorism, and Turkish politics shape this Performative Essay starring two tortoises
Molly Grogan reviews Martyna Majok on privilege, disabilities and the pursuit of happiness, in Jersey.
Seth Simons finds Matthew Perry’s play “thoroughly average,” to be generous.
Clare Lizzimore gets in the head of a woman trying to hold herself together. Tom Wicker reviews.
Christina Masciotti examines the hurdles facing the current generation of war veterans. Loren Noveck reviews.