Billy Crudup plays a complicated nobody. Loren Noveck isn’t sure how much to believe him.
Loren Noveck experiences the limits of unchecked invention.
Anushka Paris-Carter and Andy Paris explore their experiences with autism in this Tectonic Theater production. Loren Noveck reviews.
Loren Noveck reviews Richard Nelson’s play about Joseph Papp and the politics and egos of theater.
Loren Noveck discovers a previously overlooked reading of As You Like It.
Loren Noveck finds unexpected emotion in Monica Bill Barnes’ newest dance-theater work.
Loren Noveck immerses herself in a full-on simulation of a K-pop “factory” and comes out humming.
The door slams. What next? Loren Noveck explores how three New York playwrights are reimagining Ibsen’s feminist classic.
Loren Noveck reviews a play about its own impossibility to be, in the face of the impossibly huge challenge of climate change.
Christina Masciotti examines the hurdles facing the current generation of war veterans. Loren Noveck reviews.
Loren Noveck reviews Henry Naylor’s pair of one-acts about gender and violence in the Middle East.
Loren Noveck reviews Julia Jarcho’s fairytale/horror story inspired by archetypal fears and a little Gogol.
Appreciating the comforts and annoyances of Planet Earth, with Ethan Lipton. Loren Noveck reviews.
Loren Noveck reviews Branden Jacobs-Jenkins’ modern spin on a medieval morality play.
Loren Noveck finds this Royal Court production of Caryl Churchill “unresolved but oddly satisfying.”