New work from Shunt and Philip Ridley.
Opinion
26 November 2012
Features • Natasha's Week Ahead
Future Shocks
By Natasha Tripney
New plays by DC Moore and EV Crowe.
23 November 2012
Features • Guest Column
Swimming Against the Stream
By Dan Hutton
Student theatre and the mainstream.
22 November 2012
Features • Catherine's Comments
Where is the Audience?
By Catherine Love
Widening the conversation.
19 November 2012
Features • Natasha's Week Ahead
Platforms and Circuses
By Natasha Tripney
More from Radar at the Bush and a weekend of contemporary circus.
15 November 2012
Features • Diana's Month Ahead • Opinion • Performance
Performance Map: November
By Diana Damian Martin
Configurations and canons.
12 November 2012
Features • Natasha's Week Ahead
The Prebble Effect
By Natasha Tripney
Lucy Prebble’s latest and the next stage of the Theatre Uncut project.
11 November 2012
Features • Guest Column
What is Not a Metaphor
By Selma Dimitrijevic
Recognising and applying theatrical metaphor.
8 November 2012
Features • Catherine's Comments
Ecologies and Economies
By Catherine Love
The tangled economics of criticism.
6 November 2012
Features • Natasha's Week Ahead
Radar Days
By Natasha Tripney
The first week of the Bush Theatre’s festival of new work.
31 October 2012
Features • Guest Column
Defending The Working Playwright: A Reply
By Daniel B. Yates
Not collaborative utopia; being kept out.
29 October 2012
Features • Natasha's Week Ahead
Dark Nights
By Natasha Tripney
Hallowe’en theatre and Lucy Kirkwood’s Royal Court debut.
28 October 2012
Features • Guest Column
The Working Playwright
By Selma Dimitrijevic
Interrogating guidelines and ways of working.
24 October 2012
Features • Catherine's Comments
Small Acts
By Catherine Love
Creating the impetus to act.
22 October 2012
Features • Guest Column
Critical Questions
By Morgan and West
Reviewing and the variety circuit.