‘Thick realism’: Mert Dilek writes on Roxana Silbert’s dated revival of Marsha Norman’s ‘grim suicide drama’.

Mert Dilek writes on Dawn Walton’s revival of Alfred Fagon’s incendiary play, ‘a crucible in which questions of race, class, and gender intermingle’.

Food fight: Mert Dilek writes on Gillian Greer’s exploration of appetites and consent.

Kaleidoscopic haunting: Mert Dilek writes on Ellen McDougall’s dense adaptation of Valeria Luiselli’s spectral novel.

‘It resembles an affably deranged birthday party’: Mert Dilek writes on Kneehigh’s riotous adaptation of Alfred Jarry’s Ubu Roi.