Best enjoyed with fizz: Tracey Sinclair reviews a juke box musical.
Tracey Sinclair reviews Jean Rogers’ staging of the correspondence between Ellen Terry and George Bernard Shaw.
Tracey Sinclair reviews Peter Whelan’s story of “privacy, autonomy, and morality.”
Identity and individuality are at the crux of the action in Jamie Lloyd’s production.
Manic Pixie Dream Socialist Workers and Lady Macbeth in Alexander McQueen: Tracey Sinclair reviews KCIII.
Tracey Sinclair reviews a “wacky (if witty) rom-com”, slightly lacking its bitter edge.
Contemporary, but still a classic.
Tracey Sinclair on fans, ownership, and the responses to the Harry Potter casting announcements.
Tracey Sinclair on the build up to the release of the new Star Wars film.
Too much, resulting in too little.
Riotous and elemental.
Jolly hockey sticks.
Doctor, not Miss.
Walking his own path.
Samantha Ellis’s exploration of the role of heroines and the way literature shapes our memories.