Properly unsettling: Tracey Sinclair reviews Ester Natzijl’s disconcerting work at the Brighton Fringe.
Tracey Sinclair
Articles by Tracey Sinclair
30 May 2017
Reviews • Brighton
Review: Good Grief at The Old Market, Brighton
Brighton Fringe, 29 May; Soho Theatre 13-17 June, The Bike Shed, Exeter 20-24 June.
By Tracey Sinclair
A small gem: Tracey Sinclair reviews Jack Rooke’s debut solo show at the Brighton Fringe.
26 May 2017
Reviews • Brighton
Review: May-We-Go-Round? at Brighton Festival
May 25th Brighton Festival, touring to 6 July
By Tracey Sinclair
Fizzing with wit and invention: Tracey Sinclair reviews The Hiccup Project’s performance at the Brighton Festival.
22 May 2017
Reviews • Brighton
Review: Naked Girls Reading featuring Burlexe at the Brighton Fringe
21 May 2017
By Tracey Sinclair
Nudity made mundane: Tracey Sinclair reviews a night that’s midway between burlesque show and literary salon.
16 May 2017
Reviews • Brighton
Review: Jonny & The Baptists: Eat The Poor at The Old Market, Brighton
On tour till May 27
By Tracey Sinclair
Underpinned with a fury at the injustice of it all: Tracey Sinclair is completely won over by Jonny Donahoe and Paddy Gervers’ musical about ‘Rich Bastard Tories’.
11 May 2017
Reviews • Brighton
Review: Endings at the Old Market, Brighton
9 - 13 May 2017
By Tracey Sinclair
Tracey Sinclair reviews Tamara Saulwick’s meditation on modern death as part of the Brighton Festival.
25 April 2017
Reviews • Brighton
Review: The Crucible at the Theatre Royal Brighton
24 – 29 April 2017
By Tracey Sinclair
Despite a slightly muddled production, Tracey Sinclair finds that Arthur Miller’s The Crucible remains as compelling and relevant as ever.
21 April 2017
Reviews • Brighton
Retro(per)spective at the Marlborough Theatre, Brighton
20 April 2017
By Tracey Sinclair
More than a greatest hits medley: Tracey Sinclair reviews Split Britches’s revisiting of over three decades of work.
5 April 2017
Reviews • Brighton • National • Reviews
Review: Heads Up at the Marlborough Theatre, Brighton
Marlborough Theatre ⋄ April 4 2017
By Tracey Sinclair
Seeking a friend for the end of the world: Tracey Sinclair reviews Kieran Hurley’s apocalyptic one-man show.
20 March 2017
Features
Working Class Dinner Party
By Tracey Sinclair
“I find myself getting up…and saying my piece”. Tracey Sinclair writes on her unexpectedly personal response to ‘Working Class Dinner Party’, hosted by performance artists Scottee, Selina Thompson and Bryony Kimmings.
17 March 2017
Reviews • Brighton
Review: Medea Electronica at The Old Market, Brighton
Old Market Theatre ⋄ 16 March 2017
By Tracey Sinclair
Ancient Greece set to synth pop: Tracey Sinclair reviews Pecho Mama’s retelling of the Medea myth.
13 March 2017
Reviews • Brighton
Review: Songs for the End of the World at The Old Market, Brighton
Old Market Theatre ⋄
By Tracey Sinclair
Singing us out in style: Tracey Sinclair reviews Dom Coyote & the Bloodmonkeys’ apocalyptic gig theatre.
8 March 2017
Reviews • Brighton
Review: Nell Gwynn at the Theatre Royal Brighton
Theatre Royal Brighton ⋄ 8 - 11 March 2017 and then touring
By Tracey Sinclair
A joy to watch: Tracey Sinclair reviews Jessica Swale’s Nell Gwynn, as part of its UK tour.
7 February 2017
Reviews • Brighton
Review: Gaslight at the Theatre Royal Brighton
Theatre Royal Brighton ⋄ until 11 February 2017
By Tracey Sinclair
Over-mannered and under-nuanced: Tracey Sinclair reviews Anthony Banks’ production of Gaslight.
10 January 2017
Reviews • Brighton
Review: From Ibiza to the Norfolk Broads at The Old Market, Brighton
The Old Market ⋄ 8 - 11 January 2017
By Tracey Sinclair
“Understands the poignant, personal nature of true fandom”: Tracey Sinclair reviews Adrian Berry’s tribute to the influence of David Bowie.