As Matthew Lopez’s gay epic transfers from the Young Vic to the West End, Frey Kwa Kawking writes on its sprawling, compassionate glory.
Frey Kwa Hawking reviews Forward Arena’s transporting adaptation of Virginia Woolf’s ‘slim, dense, irrepressible novel’
The question of ownership: Frey Kwa Hawking reviews Debris Stevenson’s autobiographical ode to grime.
Village politics made mighty: Frey Kwa Hawking reviews Matt Hartley’s new play set in a Derbyshire plague village.
Frey Kwa Hawking reviews a play that ‘doesn’t make conventional sense, but a kind of sense you feel intuitively.’
Makes a seemingly little play vast: Frey Kwa Hawking reviews the Public Acts production of Shakespeare’s Pericles.
Playwright Tom Wells chats to Frey Kwa Hawking about gay representation in theatre, making work outside London, and the power of panto.
Wild and beautiful: Frey Kwa Hawking writes on Sally Cookson’s moving adaptation of a story of grief.
A bumpy ride: Frey Kwa Hawking reviews a new play about a meeting between different generations of comedians.
Immersive doesn’t begin to cover it: the West End transfer of Good Chance’s refugee drama is electrifying in its intimacy and honesty.
‘A clean nightmare of screens and plush sofas’: Frey Kwa Hawking reviews Jemma Kennedy’s IVF play.
‘Making a home out of and with each other’s bodies’: Frey Kwa Hawking reviews Wilson & Hart’s physical theatre work.
Sex robots and unrequited love: Frey Kwa Hawking reviews Malaprop Theatre at Incoming Festival
Breadth and depth: Madani Younis’ revival of Winsome Pinnock’s 1987 classic is richly detailed.
Taylor Swift and suburban marriages: Frey Kwa Hawking reviews the UK premiere of Mary Laws’ play about a family breakfast gone wrong.