Wild and beautiful: Frey Kwa Hawking writes on Sally Cookson’s moving adaptation of a story of grief.
A bumpy ride: Frey Kwa Hawking reviews a new play about a meeting between different generations of comedians.
Immersive doesn’t begin to cover it: the West End transfer of Good Chance’s refugee drama is electrifying in its intimacy and honesty.
‘A clean nightmare of screens and plush sofas’: Frey Kwa Hawking reviews Jemma Kennedy’s IVF play.
‘Making a home out of and with each other’s bodies’: Frey Kwa Hawking reviews Wilson & Hart’s physical theatre work.
Sex robots and unrequited love: Frey Kwa Hawking reviews Malaprop Theatre at Incoming Festival
Breadth and depth: Madani Younis’ revival of Winsome Pinnock’s 1987 classic is richly detailed.
Taylor Swift and suburban marriages: Frey Kwa Hawking reviews the UK premiere of Mary Laws’ play about a family breakfast gone wrong.
Inappropriate texts: Frey Kwa Hawking on a disconcerting play about the impact of rape accusations.
A humanist affair: Frey Kwa Hawking reviews Dom Coyote’s new solo work
Seething resentment: Bruce Graham’s play applies the heat to an exploration of prejudice and hypocrisy in Philadelphia.
Frey Kwa Hawking explores the slippery territory of defining a dramaturg’s role, and forging a practice in a world that requires both productions and people to be marketable.