Keeping heads above water: Louise Jones reviews Sandi Toksvig’s play about care home residents trying to escape a flood.
Don’t be put off by the doilies: Louise Jones reviews Philip Meeks’ play about Agatha Christie and Margaret Rutherford.
A satisfying sense of dissatisfaction: Louise Jones reviews Box of Tricks’ production of Narvik.
Short, bright and entertaining: Adam Bruce reviews the RSC’s production of The Tempest for younger audiences.
Mary Shelley is Frankenstein: Louise Jones reviews a promenade performance in York that rethinks Mary Shelley and her famous creation.
Louise Jones reviews a production of Henry Naylor’s Iraq War play which makes the most of silence and spotlights.
Louise Jones reviews the J.B. Priestley play that’s still a good distraction from “the state of Europe for an hour or two”.
Child’s play: Louise Jones reviews Theatre Ad Infinitum’s devised work.
Learning to laugh at what we’re afraid of: Louise Jones reviews Hassan Abdulrazzak’s four monologues on tour in York.
“I expected more from Satan”: Louise Jones reviews Crick Crack Club’s evening of storytelling in York.
The relentless march of progress: Louise Jones reviews The Machine Stops at York Theatre Royal.