An honest account of heritage and prejudice: Daniel Perks reviews Joe Sellman-Leava’s one-man show at Vault festival 2017.
Venues: The Vaults
8 March 2017
Reviews • OWE & Fringe
Review: Kings at Vault Festival 2017
The Vaults ⋄ Until 5 March 2017
By Daniel Perks
Eye opening: Daniel Perks reviews Oli Forsyth’s empathetic look at homelessness at this year’s Vault festival.
7 March 2017
Reviews • OWE & Fringe
Review: The Gran Show at Vault festival 2017
The Vaults ⋄ 2 March 2017
By Daniel Perks
A tribute to an unsung hero: Daniel Perks reviews Viki Browne’s work in progress show about her own grandmother.
7 March 2017
Reviews • OWE & Fringe
Review: Puppy at Vault festival 2017
The Vaults ⋄ 23 Feb and 2 March 2017
By Daniel Perks
Feminist porn and a different type of fairy tale: Daniel Perks reviews a work in progress by Naomi Westerman at the Vault festival.
6 March 2017
Reviews • OWE & Fringe
Review: The Episode at Vault Festival 2017
The Vaults ⋄ Until 5 March 2017
By Daniel Perks
The ugly side of fashion: Daniel Perks reviews Tom Brennan’s look at society’s obsession with reality television.
4 March 2017
Reviews • OWE & Fringe
Review: All of Me at Vault festival 2017
The Vaults ⋄ Until 5 March 2017
By Daniel Perks
Daniel Perks reviews Martin Brett’s new work about “the self-proclaimed best travel agent in the business.”
28 February 2017
Reviews • OWE & Fringe
Review: Princess Suffragette at Vault festival 2017
The Vaults ⋄ 22 - 26 February 2017
By B. L. Sherrington
Becoming an activist: B. L. Sherrington reviews a new play based on the true story of the first British-Asian Suffragette.
23 February 2017
Reviews • OWE & Fringe
Review: Claustrophilia at the Vault festival 2017
The Vaults ⋄ 17 - 18 February 2017
By Gillian Greer
A misnomer: Gillian Greer reviews a play that recognises the audience’s curiosity, but denies it.
23 February 2017
Reviews • OWE & Fringe
Review: Testament at the Vaults festival 2017
The Vaults ⋄ 22 - 26 February 2017
By Mary Halton
A mixed bag, but a thoroughly engaging watch: Mary Halton reviews Tristan Bernays’ updating of biblical tales at the Vault festival.
19 February 2017
Reviews • OWE & Fringe
Review: Mars Actually at the Vault Festival
The Vaults ⋄ 15 - 19 February 2017
By Corrie Tan
A wide-eyed discovery of the world: Corrie Tan reviews Superbolt Theatre’s new play about a group of martians.
17 February 2017
Reviews • OWE & Fringe
Review: Droll at Vault festival 2017
The Vaults ⋄ 15 & 19 February 2017
By Amy Borsuk
Carefully constructed sloppiness, refined nasty humour, and goofy intellectualism: Amy Borsuk gets a messy history lesson from The Owle Schreame.
14 February 2017
Reviews • OWE & Fringe
Review: This Must Be The Place at Vault festival
The Vaults ⋄ 8 - 12 February 2017
By Amelia Forsbrook
Reads like a revisitation of the Choose Life monologue: Amelia Forsbrook reviews Brad Birch and Kenneth Emson’s “cracking collaborative mastery”.
14 February 2017
Reviews • OWE & Fringe
Review: WRETCH at Vault festival
The Vaults ⋄ 8 - 12 February 2017
By Amelia Forsbrook
A spirit and optimism that goes against its drab, desperate, wipe-clean-vinyl-coated setting: Amelia Forsbrook reviews Interval Production’s show about two friends in a women’s hostel.
13 February 2017
Reviews • OWE & Fringe
Review: Astronauts of Hartlepool at Vault festival
The Vaults ⋄ 8 - 12 February 2017
By Corrie Tan
We are all aliens: Corrie Tan reviews Tim Foley’s “science fiction on a shoestring” play.
13 February 2017
Reviews • OWE & Fringe
Review: Borderland/Calais at Vault festival
The Vaults ⋄ 8 - 12 February 2017
By Fergus Morgan
It’s not enjoyable theatre… but it is important theatre: Fergus Morgan reviews Crew For Calais’ double-bill at Vault festival.