Peter Kirwan reviews a production “torn between its desire to tell a specific emotional story and its impulse to universalise this narrative”.
The rituals of folding, arranging and place-setting: Peter Kirwan reviews the Nottingham Playhouseâ€™s fortieth anniversary production of Stephen Loweâ€™s Touched.
The things that can and canâ€™t be said: Peter Kirwan reviews Jane Upton’s “deeply affecting” play about child sexual exploitation.
Making fools of us all: Chris Collins reviews Fiona Buffiniâ€™s glam rock update of Thomas Middleton.
Failing to dig any deeper: Peter Kirwan reviews Nick Wood’s play about the 5th Duke of Portland.
A wish fulfilment fantasy of the Leave campaign: Peter Kirwan reviews Anthony Shaffer’s revenge play.
“An indictment of civic hypocrisy”: Peter Kirwan reviews Ramps on the Moon.
“Under it all seethes the writerâ€™s anger”: Peter Kirwan reviews Daniel Hoffmann-Gill’s work at the Nottingham Playhouse.
Peter Kirwan has “a dizzying, hilarious evening” watching Blanche McIntyre’s Noises Off.
“A quiet slip into darkness… as she slowly blows out her candles.” Peter Kirwan reviews Tennessee William’s classic at the Nottingham playhouse.
Smoke and mirrors.
Blood and bone.
Fish out of water.
The culture of privilege.
A dance to the music of time.