Somewhere across the icy waters: Catherine Love reviews Liz Nunnery’s WWII play with songs.
An uncertain piece of theatre in uncertain times: Catherine Love reviews Powder Keg’s performance as part of PUSH festival 2017.
We don’t just see the ethical conundrums faced by factory owners; we experience them: Catherine Love reviews World Factory.
“You gradually learn not to trust a single thing you see”: Andrew Haydon reviews Peeping Tom at HOME.
“Monopolising on misery… without any commentary or attempt at solution or alternative.” James Varney reviews Breach’s The Beanfield.
Fifty shades of grey.
Other ideologies are available.