Rachel Elderkin reviews Ballet Black’s “rather mixed triple bill”.
“The Encounter is an absolutely spectacular and absolutely state-of-the-art framework for one of the oldest colonial narratives – the white man’s journey into the unknown.”
It’s a sin.
An excess of tragic irony.
Love and furniture.
A once-radical gesture.
The poetics of our contemporary condition: instability, desire, displacement.
Throwing out the rule book.
Iggy Pop and the trolls.