Molly Grogan reviews Schaubühne Berlin’s production in NYC.
Robert Lepage takes it home. Molly Grogan reviews.
Loren Noveck finds this Royal Court production of Caryl Churchill “unresolved but oddly satisfying.”
Cheek by Jowl’s bully king looks uncomfortably familiar in New York. Molly Grogan reviews.
Molly Grogan reviews Peter Brook’s distillation of The Mahabharata, scaled for today.
Molly Grogan is dealt a full hand of queens in Krzysztof Warlikowski’s production.
David Hare’s Oscar Wilde bio-play, revived at BAM.
Haunted by the past.
A group review.
Make it real.
No popcorn here.
Hattie Morahan astounds.
Ibsen’s greatest lessons.