An invite to question ourselves and our prejudices: Kate Wyver reviews the Race Cards installation at In Between Time 2017.
Venues: Arnolfini
14 February 2017
Reviews • Bristol
Review: Because of Hair at IBT17
Arnolfini ⋄ 10 February 2017
By Rosemary Waugh
Your body is yours, take it: Rosemary Waugh reviews Vivian Chinasa Ezugha’s performance at IBT17.
13 February 2017
Reviews • Bristol
Review: My Big Sister Taught Me This Lapdance at IBT17 in Bristol
Arnolfini ⋄ 10 - 12 February 2017
By Kate Wyver
An enormously heartbreaking experience: Kate Wyver reviews Rosana Cade’s new work at IBT17.
12 February 2017
Reviews • Bristol
Review: Vesper Time at IBT17
Arnolfini ⋄ 9 - 10 February 2017
By Rosemary Waugh
Carpe Dieming: Rosemary Waugh reviews Stacy Makishi’s life-affirming show at In Between Time 2017.
9 February 2017
Reviews • Bristol
Review: Ghost Dance at IBT17 in Bristol
Arnolfini ⋄ 8 Feb 2017
By Maddy Costa
Two men are dancing: Maddy Costa reviews Lone Twin’s durational performance at Bristol’s In Between Time festival.
20 May 2016
Reviews • Bristol • National • Reviews
Review: Salt at Arnolfini
Arnolfini ⋄ 12, 13, 18, 19 May 2016
By Eleanor Turney
Eleanor Turney reviews Selina Thompson’s unapologetic and searching show about her Transatlantic journey retracing the Slave Triangle.
17 May 2016
Reviews • Bristol • National • Reviews
Review: Idiot-Syncrasy at Arnolfini
Arnolfini ⋄ 14th - 15th May 2016
By Rosemary Waugh
When niceness is greatness: Rosemary Waugh reviews Igor and Moreno’s jumping, jumping, jumping at Mayfest 2016.
1 September 2015
Reviews • Bristol
Ramkoers
Arnolfini ⋄ 30th August - 1st September 2015
By Rosemary Waugh
Crash, bang, wallop.
4 November 2013
Reviews • Bristol • Performance
More Than Enough
Arnolfini ⋄ 1st November 2013
By Rosemary Waugh
The sound of beauty.
1 February 2013
Reviews • Performance
Speaking Bodies, Plural Voices
Arnolfini ⋄ 17th - 20th January 2013
By Diana Damian Martin
On spectatorship.
14 November 2012
Reviews • Bristol • Performance
Survival Tactics
Arnolfini ⋄ 9th November 2012
By Diana Damian Martin
Returning play to politics.