‘It requires work’: Andrew Edwards writes on Karen Christopher and Tara Fatehi Irani’s rewardingly dense durational performance.
Down the rabbit hole: Alice Saville reviews a feverish satire of pandemic-era Britain, performed by young people.
Stages of grief: Elete N-F reviews Dipo Baruwa-Etti’s narrative of mourning at Theatre Royal Stratford East.
Mert Dilek writes on Dawn Walton’s revival of Alfred Fagon’s incendiary play, ‘a crucible in which questions of race, class, and gender intermingle’.
‘Trapped by circumstances’: Simon Gwynn reviews Elin Schofield and Eve Cowley’s monologue about a female prison guard.
Take Me Online: Andrew Edwards reviews a selection of transporting works from Glasgow’s festival of performance and live art.
Material world: Ben Kulvichit reviews Rosana Cade and Ivor MacAskill’s adaptation of Pinocchio as an autobiographical gender transition allegory.
Returning ritual: Mostyn Jones writes on Abigail Conway’s participatory candle ceremony for turbulent times.
Money talks: Lily Levinson encounters a fractious interactive show about cash and collective decision making.
Open wounds: Sally Hales reviews Lisa Parry’s allegorical play about a “left-behind” Welsh town.
Sheltering in place: Alice Saville reviews Amy Berryman’s log cabin drama, set against a backdrop of global climate crisis.
Joyful scenes: Alice Saville’s illustrated review sketches the magic of Sean Holmes production, as it reopens The Globe.
‘Defiant optimism’: Tracey Sinclair reviews a trio of films installed at Newcastle’s Alphabetti Theatre centring neurodivergent artists.
Alternative living: Maddy Costa shares her correspondences with friends about Anna Rispoli and Martina Angelotti’s show about four radical European collectives.
Plays pleasant: Lily Levinson finds the plays in Paul Miller’s latest George Bernard Shaw production ‘solid chortlers’ if not ‘searingly urgent’.