‘A rallying cry’: Louise Jones reviews Fehinti Balogun and Complicité’s filmed show about the former’s journey into climate activism.
The morality of art: Hailey Bachrach writes on Paula Vogel’s intriguing play about scandal, representation, and the role of theatre.
Fire and fury: Angelo Irving reviews From Below’s outdoor Faustus combining acrobatics, fire poi and pantomime.
Desperate remedies: Brendan Macdonald writes on Alice Hamilton’s revival of Shelagh Stephenson’s comedy-drama that explores memory and family.
A richer and more complex beast: Emily Davis reviews the stage version of the beloved Disney movie.
Shapes and colours: Ben Kulvichit reviews two contrasting dance works as part of the Horizon showcase’s public programme.
Ripples from the past: Hannah Greenstreet writes on Winsome Pinnock’s epic new play exploring the legacies of Britain’s role in the transatlantic slave trade.
‘Sucked into the void’: Farah Najib writes on Diane Page’s revival of Athol Fugard’s dense, challenging play that skewers racial injustice.
Emotional eating: Emily Davis writes on Chris Bush’s incisive new play, exploring the tangled relationship between food, class and community.
Folklore and fury: Tom Moyser writes on Frankie Meredith’s new play, set at a Coventry folk festival.
You are what you eat: Lilith Wozniak reviews The Wardrobe Ensemble’s free-wheeling whistle stop tour of the evolution of capitalism.
Interrupted history: James Varney writes on RashDash’s approach to biography and storytelling in their cabaret portrait of Lizzie Siddal and Dante Gabriel Rosetti.
A festering wound: Hannah Greenstreet writes on Kae Tempest’s ‘savagely poetic’ adaptation of Philoctetes by Sophocles.
If I Loved You: Emily Davis reviews Timothy Sheader’s outdoor production of Carousel, which leans into the knottiness of the musical’s themes.
Spooks and social awkwardness: Lily Levinson reviews a dinner party-based chiller starring Lily Allen.