Office romance: Harvey Bassett reviews Out of Chaos’s interactive telephone show masquerading as a market research questionnaire.
Untangling threads: Mostyn Jones reviews an ambitious game by Dan Hett exploring the fallout of a terror attack.
A mood: Ben Kulvichit writes on an audio piece which invites the listener on a stroll in the rain.
‘Homecoming’: Louise Jones reviews a warming, nostalgia-laden gig theatre tribute to the city of Sheffield.
Do you believe in fairies? Francesca Peschier doesn’t find much magic in the RSC’s mega-budget digital experiment.
Murder most foul: Amy Borsuk reviews Creation Theatre’s Zoom production of John Webster’s revenge tragedy, which successfully walks a tightrope between camp and gore.
Black mirror, black mirror on the wall…: Naomi Obeng reviews a star-laden adaptation of Oscar Wilde’s novel, transposed to the perilous world of social media.
“Life gets in the way”: Ava Wong Davies reviews an intimate, constantly interrupted, week-long succession of texts and videos from Bertrand Lesca and Nasi Voutsas.
The roaring 2020s: Lilith Wozniak reviews The Wardrobe Ensemble’s inventive filmed adaptation of the F. Scott Fitzgerald classic.
Cooking without a recipe: Naomi Obeng writes on a Malaysian and UK co-production about living across two cultures.
Good enough to eat: Rosemary Waugh cooks along with a show that explores our relationship with food.
‘Interdependent beings’: Ben Kulvichit writes on a digital festival exploring the complex relationships between humans and technology.
Theatre for the cochlea: Tracey Sinclair reviews a varied set of audio-plays produced by sound designer Danny Krass.
Diluted content: James Varney reviews an audio piece to be experienced in the bathroom that slips through the fingers.
Rambling conversation: Crystal Bennes writes on the nourishing simplicity of Ben Harrison’s promenade performance.