Art, disability and the Olympics.
Strong revival of a Coward classic.
A craft that takes us into death.
Andrew Sheridan’s bruising debut.
Hate and the 1980s.
The corset unlaced.
Geoffrey Rush clowns around in this adaptation of Gogol.
William Forsythe’s essay on fragility.
Fun-filled, but fails to take flight.
Pedro Miguel Rozo’s family parable.
David Hare’s wheezy two-hander.
Robert Lepage’s ravishing spin-off.
Spunky, but doesn’t quite fill the pool.
Bold and unsettling.
David Hare takes on the Church.