Politics on a small screen: Emily Davis grapples with James Graham’s play about two pioneering political pundits.
Spooky season: Elete N-F writes on Poltergeist’s audio-guided narrative walk that ‘brings life to an otherwise pretty lifeless area’.
Vroom vroom: Fergus Morgan reviews James Ley’s X-rated comedy about a man who rides his car in more ways than one.
Devoted to the devil: James Varney invokes David Greig’s midwinter folk story with a crown of sonnets.
‘There is a kind of pleasure in judging other people’: Hannah Greenstreet writes on Mike Bartlett’s monologue exploring social mores in lockdown.
Death by tasteful: Frey Kwa Hawking is underwhelmed by an overly safe, moneyed take on Cabaret.
Blunt theatricality: Brendan Macdonald reviews Ralph Fiennes’ performance of a modern classic.
Talking it out: Simon Gwynn reviews Nana-Kofi Kufuor’s locked room drama about internalised racism.
Judgment deferred: Hailey Bachrach reviews Blanche McIntyre’s subtle, playful and refreshingly unmoralistic take on Shakespeare’s play.
Needlework and laser blasters: Lilith Wozniak reviews the Wardrobe Theatre’s latest pop-culture mashup Christmas show.
Home alone: Tracey Sinclair reviews Hannah Sowerby’s one-woman comedy with shades of Alan Bennett and Victoria Wood.
A house of cards: Lily Levinson reviews Moira Buffini’s flimsy, trope-ridden political satire.
Spooks and shadows: Lauren Vevers reviews Janice Okoh’s adaptation of a haunting novel.
A welcome reversal: Angelo Irving reviews a flipped take on Shakespeare by an impressive youth theatre company.
A puzzle of a play: Alice Saville reviews Al Smith’s controversy-stricken story of greed on a Bolivian salt flat.