“Repeat, but always with a difference”: Mert Dilek writes a variation-filled response to Nick Payne’s play.

A gig economy: James Varney writes about Lauryn Redding’s queer love story, and the fragile structures it explores.

The time is out of joint: Brendan Macdonald writes on Kimberley Sykes’s streamlined production, which captures the ‘frustrated, steely impatience of young love’.

Connection is a form of rebellion: Farah Najib reviews Amanda Wilkin’s Verity Bargate Award-winning exploration of loneliness and healing.

A cosmic filing cabinet: Alice Saville shifts through her memories of Headlong and National Theatre’s show about what lives on.

Animal studies: Farah Najib delights in the perfectly-observed performances of National Youth Theatre’s farm-based fable.

Down the rabbit hole: Alice Saville reviews a feverish satire of pandemic-era Britain, performed by young people.

Stages of grief: Elete N-F reviews Dipo Baruwa-Etti’s narrative of mourning at Theatre Royal Stratford East.