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Features


An Odyssey of Onstage Queer Orgasms
25 August 2019
Features • Edinburgh Fringe 2019

An Odyssey of Onstage Queer Orgasms

By Francesca Peschier

Francesca Peschier writes on the shows bringing ecstatic moments and authentic queer people of colour’s experiences to the Edinburgh fringe.


A stinky and rainy (but actually really fun) kids’ fringe adventure
14 August 2019
Features • Edinburgh Fringe 2019

A stinky and rainy (but actually really fun) kids’ fringe adventure

By Duska Radosavljevic

A dialogue review of Edinburgh fringe’s sights, shows and smells by Joakim (aged five) and Katarina (aged three-and-a-half).


Exeunt recommends: Edinburgh Fringe highlights so far
12 August 2019
Features • Edinburgh Fringe 2019

Exeunt recommends: Edinburgh Fringe highlights so far

By Exeunt Staff

Exeunt is proudly flying the flag for longform criticism at the fringe. Too busy to read it all? Here’s a handy digest of the shows our writers love.


Are theatre’s schemes and awards deterring a new generation of talent?
29 July 2019
Features

Are theatre’s schemes and awards deterring a new generation of talent?

By Holly Williams

Emerging directors leap through ever-shifting hoops for a chance to work at the UK’s biggest theatres. Holly Williams asks: is the system working?


A Helter Skelter Ride Through Latitude
24 July 2019
Features

A Helter Skelter Ride Through Latitude

By Alice Saville

Alice Saville sorts the (pink) sheep from the GOATs in her write-up of 2019’s frenetic Latitude festival.


Exeunt’s 2019 Edinburgh Fringe Picks
23 July 2019
Features • Edinburgh Fringe 2019

Exeunt’s 2019 Edinburgh Fringe Picks

By Exeunt Staff

Spreadsheets at the ready: Exeunt’s fringe recommendations are here, thoughtfully themed for your reading pleasure.


Some remorselessly petty quibbles with West End shows
17 July 2019
Features • Dialogues • West End & Central

Some remorselessly petty quibbles with West End shows

By Exeunt Staff

Exeunt’s writers have some unashamedly petty bones to pick with theatre world’s biggest hits, past and present.


Encounters With Reykjavik Fringe
16 July 2019
Features

Encounters With Reykjavik Fringe

By Alice Saville

Alice Saville discovers a fringe arts explosion at Iceland’s new festival of grassroots performance.


Romania’s divided political theatre landscape
4 July 2019
Features

Romania’s divided political theatre landscape

By Lily Levinson

Lily Levinson writes on the seismic generational divides in Romania’s theatre scene, and the embattled political companies that are fighting for change.


Jasmine Lee-Jones and Milli Bhatia: “Why do we have to inherit structures in order to make stuff?”
3 July 2019
Features

Jasmine Lee-Jones and Milli Bhatia: “Why do we have to inherit structures in order to make stuff?”

By Ava Wong Davies

Milli Bhatia and Jasmine Lee-Jones discuss ‘seven methods of killing kylie jenner’, confronting power structures, and bringing black Twitter to the stage.


Hearty: Bringing Fire to Trans Pride
1 July 2019
Features • Essays

Hearty: Bringing Fire to Trans Pride

By Emma Frankland

Emma Frankland writes on her new show Hearty, and the shifting cycles which underpin attitudes to trans identity.


Some questions for the Edinburgh Fringe
26 June 2019
Features

Some questions for the Edinburgh Fringe

By Jo Mackie

Prices for accommodation at the Edinburgh Fringe are up 35% this year. Here, independent producer Jo Mackie asks what it will take to reform the fringe.


A transformative tour of Prague Quadrennial
25 June 2019
Features • Festivals

A transformative tour of Prague Quadrennial

By Francesca Peschier

“It’s a space built from light and mirrors and impossibilities”: Francesca Peschier takes you on a trip to Prague’s mind-blowing festival of scenography from around the world.


Do trigger warnings ruin theatre’s power to surprise?
12 June 2019
Features • Essays

Do trigger warnings ruin theatre’s power to surprise?

By Alice Saville

Alice Saville writes on theatre’s uneasy relationship with trigger warnings, and the faultlines they reveal.


An Obsession Is Born
10 June 2019
Features

An Obsession Is Born

By Natasha Tripney

Natasha Tripney marks the launch of the 2019 Edinburgh fringe programme with a poem, crafted from its cut up and reassembled entrails.


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