Laura Harris and James Rowson share some initial findings from research project Freelancers in the Dark, charting broken lines of communication, grief, solidarity and hope.
Exeunt marks its tenth birthday with a look back at its beginnings from co-Founding Editor Natasha Tripney.
If you’re starved of drama, Francesca Peschier’s here to show you the classic reality tv shows that will supply contrived plots, heroic journeys, and bloodthirsty thrills.
Astringent theatre wine, awkward interval conversations, besieged bladders…and all the things Exeunt’s writers would love to get annoyed by once more.
Exeunt’s writers look back on a year of livestreams, and the journey from despondency to hope.
Samuel Sims chats to front of house workers about why theatres need to change both their attitudes and their contracts.
As theatre in 2020 stumbles from crisis to crisis, critics are reaching for the stars – and, Fergus Morgan argues, that’s okay.
Rosemary Waugh interviews the co-artistic director of Manchester’s Royal Exchange Theatre about her tumultuous first year in the job.
Wambui Hardcastle interviews the founder of Artistic Directors of the Future about her mission to change who gets to lead the UK’s theatre buildings and companies.
‘Liveness’ is central to theatre’s identity. But how can you create it online? And do you need to? Alice Saville explores the tangled set of questions facing 2020’s artists and producers.
Maddy Costa turns her interview with Encounter’s director Jen Malarkey into an interactive twine story, ahead of Friday’s stream of The Kids Are Alright.
Lily Levinson speaks to the artists, activists and participants working together to reimagine how BAC engages with its local community.
Poet-turned-playwright Hannah Lavery discusses racism in Scotland, her ‘wilderness years’, and her new play, Lament for Sheku Bayoh.
Plan your Autumn of sofa-bound theatre with our big list of livestreams, archive recordings and podcasts.
Neil Bettles, artistic director of Manchester-based company ThickSkin, writes on how experimenting with VR could bring touring theatre to new audiences