The late-Romantic composer’s lingering relationship.
Michael Pinchbeck on endings and exits.
Bent Architect on making theatre about mental illness.
Companion volume to the V&A’s current exhibition.
Protest and celebration are on the bill at this year’s Brighton Festival.
A two-day festival of performance in Cambridge.
On Mike Leigh, Ecstasy and finding her voice.
Why Glee is good for theatre.
On the cinematic tendencies of opera and vice versa.
A poet’s apologetic journey into immersive theatre.
On sex, climate, and feeling contemporary.
In stripped-down Scottish Play, this Brit feels at home.
Theatre for an audience of one.
On directing Tennessee Williams.
On audience choice and writing away from herself.