More from Radar at the Bush and a weekend of contemporary circus.
Features
19 November 2012
Features • NYC • Q&A and Interviews
Wandering Shakespeare
By Erica Cheung
Michael Benz and Dickon Tyrrell on taking Hamlet on the road.
16 November 2012
Features • Performance • Q&A and Interviews
Audacity Chutzpah and Tricity Vogue
By Natasha Tripney
On the Blue Stocking Society and the continuing appeal of burlesque.
15 November 2012
Features • Diana's Month Ahead • Opinion • Performance
Performance Map: November
By Diana Damian Martin
Configurations and canons.
13 November 2012
Features • Q&A and Interviews
Changing The Changeling
By Natasha Tripney
Joe Hill-Gibbins on the sex and mess of Middleton.
13 November 2012
Features • Q&A and Interviews
Shunt’s The Architects
By Catherine Love
David Rosenberg on the tension between audience agency and entrapment.
12 November 2012
Features • Performance • Q&A and Interviews
Tim Etchells on The Coming Storm
By Diana Damian Martin
Narrative, history and disruption.
12 November 2012
Features • Natasha's Week Ahead
The Prebble Effect
By Natasha Tripney
Lucy Prebble’s latest and the next stage of the Theatre Uncut project.
11 November 2012
Features • Guest Column
What is Not a Metaphor
By Selma Dimitrijevic
Recognising and applying theatrical metaphor.
9 November 2012
Features • Q&A and Interviews
Howard Barker
By Neil Dowden
On his Continental success and refusing to conform to populist tastes.
8 November 2012
Features • Catherine's Comments
Ecologies and Economies
By Catherine Love
The tangled economics of criticism.
7 November 2012
Features • Essays • Performance
On documentation, considering film
By Andy Field
Space to dream of monsters.
6 November 2012
Features • Natasha's Week Ahead
Radar Days
By Natasha Tripney
The first week of the Bush Theatre’s festival of new work.
5 November 2012
Features • Q&A and Interviews
Navigating Chekhov
By Catherine Love
Anya Reiss on her adaptation of The Seagull.
2 November 2012
Features
Predicting a Cabariot
By M. F. Jones
Cabaret’s response to Gary Barlow.