Head to head: Louise Jones compares two York pantos following legendary dame Berwick Kaler’s split from York Theatre Royal.

Writ large: Louise Jones reviews an adaptation of Hans Fallada’s wartime novel which loses its moral nuance in the journey from page to stage.

Eyes and ears: Catherine Love writes on attention and public space in response to Common Ground Theatre and Hannah Bruce’s audio collage.

Shaft of light: Louise Jones writes on the ‘futile, gripping’ intensity of Athol Fugard’s seldom-produced two-hander.

Unholy matrimony: Louise Jones reviews Gracefool Collective’s unruly deconstruction of wedding traditions.

A matter of life and death: Louise Jones writes on the emotional mechanics of Theatre Re’s lyrical piece of physical theatre.

‘Life’s metaphorical bucket’: Louise Jones reviews Holly Gallagher’s solo storytelling show about the three Millennials under stress.

Ringing hollow: Louise Jones writes on the subtleties lost in adaptation in Out of Joint and Royal and Derngate’s co-production of Kazuo Ishiguro’s novel.

Singing her song: Louise Jones reviews Emma Geraghty’s solo show exploring fatness and queerness through music.

Hanging up his wig: Louise Jones writes on the 40th and final panto helmed by legendary York dame Berwick Kaler.

A broad brush: Louise Jones finds this adaptation of Jane Austen’s novel yields uneven results.

‘Joy in solidarity’: Louise Jones writes on Phoenix Dance Theatre’s celebration of the human stories of the Windrush generation.