‘There is a kind of pleasure in judging other people’: Hannah Greenstreet writes on Mike Bartlett’s monologue exploring social mores in lockdown.
‘A rallying cry’: Louise Jones reviews Fehinti Balogun and ComplicitÃ©’s filmed show about the former’s journey into climate activism.
Dispatches: Hannah Greenstreet reviews Shaan Sahota’s play informed by her experience as a junior doctor on a Covid ward.
Murder most foul: Amy Borsuk reviews Creation Theatre’s Zoom production of John Webster’s revenge tragedy, which successfully walks a tightrope between camp and gore.
‘Contemplating the unthinkable’: Hannah Greenstreet writes on the macro and the micro in Gameshow’s play about dealing with existential threat.
Fraught and harrowing.