Lean, mean and theatrically audacious: Christine Irvine is gripped by Fire Exit director David Leddy’s first one-man show in over a decade.
*IF YOU HAVE NOTHING TO HIDE YOU HAVE NOTHING TO FEAR* Christine Irvine reviews Proto-type Theater’s exploration of surveillance technology.
More like a temper-tantrum than a turning-point: Christine Irvine reviews the Tron Theatre’s new production of Yazmina Reza’s comedy.
“Gently exposes its audience’s attitudes”: Andrew Edwards reviews an immersive performance examining the spaces where people with disabilities are both users and creators of pornography.
Putting politics to music: Christine Irvine reviews Drew Taylor’s “cathartic” work as part of the Take Me Somewhere festival.
Extraordinary in its range, excess and incision: Andrew Edwards reviews Jaamil Olawale Kosoko’s “challenging, necessary and entirely relevant” work as part of the Take Me Somewhere festival.
The qualities of agony, anxiety and desire contained within endings: Andrew Edwards reviews Company of Wolves’ new work in Glasgow.
A deep-tissue massage for your brain muscles: Christine Irvine attends one of Heroes’ intimate stagings of Sea Wall in a Glasgow pub.
Genuinely joyous communal theatre experience: Christine Irvine reviews Blood Of The Young at the Tron Theatre.
Light as frost, but never quite chilling: Christine Irvine reviews Rob Drummon’s taut family drama.
Joe Turnbull completes our series of guest reviews with Disability Arts, with Candoco Dance Company and NCA Small Theatre’s Hiraeth at the Unlimited festival in Glasgow.
A love that contorts, twists, fades, appears, shatters: Andrew Edwards concludes the Unlimited festival in Glasgow with a beautiful work by the Marc Brew Company.
57% water, and well, some other stuff: Andrew Edwards reviews a performance considering what makes up a human.
The weight of somebody’s feet on your knees: Andrew Edwards reviews “a hugely accessible work about access” at the Unlimited festival in Glasgow.
Energising and skin-crawling: Christine Irvine reviews a stage production of Trainspotting that doesn’t bow to the pressure of Danny Boyle’s film.