Lean, mean and theatrically audacious: Christine Irvine is gripped by Fire Exit director David Leddy’s first one-man show in over a decade.
Glasgow
17 April 2017
Reviews • Glasgow
Review: A Machine They’re Secretly Building at Tron Theatre, Glasgow
13- 15 April 2017
By Christine Irvine
*IF YOU HAVE NOTHING TO HIDE YOU HAVE NOTHING TO FEAR* Christine Irvine reviews Proto-type Theater’s exploration of surveillance technology.
15 March 2017
Reviews • Glasgow
Review: God of Carnage at the Tron Theatre, Glasgow
Tron Theatre ⋄ 9-25 March 2017
By Christine Irvine
More like a temper-tantrum than a turning-point: Christine Irvine reviews the Tron Theatre’s new production of Yazmina Reza’s comedy.
10 March 2017
Reviews • Glasgow
Review: Discourse or Intercourse / Talking & Fucking at Take Me Somewhere, Glasgow
CCA ⋄ 7 March 2017
By Andrew Edwards
“Gently exposes its audience’s attitudes”: Andrew Edwards reviews an immersive performance examining the spaces where people with disabilities are both users and creators of pornography.
6 March 2017
Reviews • Glasgow • National
Review: Avoidable Climbing at Take Me Somewhere, Glasgow
Citizens Theatre ⋄ 2 - 4 March 2017
By Christine Irvine
Putting politics to music: Christine Irvine reviews Drew Taylor’s “cathartic” work as part of the Take Me Somewhere festival.
2 March 2017
Reviews • Glasgow
Review: #negrophobia at Take Me Somewhere, Glasgow
Tramway ⋄ 26 February 2017
By Andrew Edwards
Extraordinary in its range, excess and incision: Andrew Edwards reviews Jaamil Olawale Kosoko’s “challenging, necessary and entirely relevant” work as part of the Take Me Somewhere festival.
11 February 2017
Reviews • Glasgow
Review: The End of Things at CCA, Glasgow
CCA ⋄ 7 - 8 February 2017
By Andrew Edwards
The qualities of agony, anxiety and desire contained within endings: Andrew Edwards reviews Company of Wolves’ new work in Glasgow.
26 January 2017
Reviews • Glasgow
Review: Sea Wall at Sloans Pub, Glasgow
Sloans Pub ⋄ 22 - 26 January 2017
By Christine Irvine
A deep-tissue massage for your brain muscles: Christine Irvine attends one of Heroes’ intimate stagings of Sea Wall in a Glasgow pub.
11 November 2016
Reviews • Glasgow
Review: Secret Show 1 at Tron Theatre, Glasgow
Tron Theatre ⋄ 8th - 12th November 2016
By Christine Irvine
Genuinely joyous communal theatre experience: Christine Irvine reviews Blood Of The Young at the Tron Theatre.
24 October 2016
Reviews • Glasgow • Reviews
Review: Grain in the Blood at the Tron Theatre, Glasgow
Tron Theatre ⋄ 19th - 29th October 2016
By Christine Irvine
Light as frost, but never quite chilling: Christine Irvine reviews Rob Drummon’s taut family drama.
22 September 2016
Reviews • Glasgow • National • Reviews
Guest Review: Hiraeth at Tramway, Glasgow
Tramway ⋄ 15th - 16th September 2016
By Rosemary Waugh
Joe Turnbull completes our series of guest reviews with Disability Arts, with Candoco Dance Company and NCA Small Theatre’s Hiraeth at the Unlimited festival in Glasgow.
20 September 2016
Reviews • Glasgow • National • Reviews
Review: MayBe at Tramway
Tramway ⋄ 17th - 18th September 2016
By Andrew Edwards
A love that contorts, twists, fades, appears, shatters: Andrew Edwards concludes the Unlimited festival in Glasgow with a beautiful work by the Marc Brew Company.
20 September 2016
Reviews • Glasgow • National • Reviews
Review: 43 Percent at Tramway
Tramway ⋄ 15th - 16th September 2016
By Andrew Edwards
57% water, and well, some other stuff: Andrew Edwards reviews a performance considering what makes up a human.
19 September 2016
Reviews • Glasgow • National • Reviews
Review: The Way You Look (At Me) Tonight at Tramway
Tramway ⋄ 15th & 16th September 2016
By Andrew Edwards
The weight of somebody’s feet on your knees: Andrew Edwards reviews “a hugely accessible work about access” at the Unlimited festival in Glasgow.
19 September 2016
Reviews • Glasgow • National • Reviews
Review: Trainspotting at the Citizens Theatre
Citizens Theatre ⋄ 14th September- 8th October 2016
By Christine Irvine
Energising and skin-crawling: Christine Irvine reviews a stage production of Trainspotting that doesn’t bow to the pressure of Danny Boyle’s film.