Don’t look now: Chris White reviews Vanishing Point at the Edinburgh International Festival.
Human-dolphin communication: Lauren Mooney reviews an ambitious and incisive Fringe show from Breach Theatre.
This is a memory play: Rosemary Waugh reviews the Edinburgh International Festival revival of the American Repertory Theater’s The Glass Menagerie.
A “delicately personal ghost story”: Lauren Mooney reviews Jack Britton’s I Used to Hear Footsteps at the Edinburgh Fringe.
Brilliant, energetic, ridiculous fun: Lauren Mooney reviews another Fringe success from Kill The Beast.
Furious and loud and aggressive: Lauren Mooney reviews Rachael Clerke’s “politically vital” show at the Edinburgh Fringe.
A swaggering, cheekily inventive musical play that continues Told By An Idiot’s tradition of sending in the clowns to do the serious business.
RT @AbiWill: I saw Elizabeth Proctor with the devil. #SalemSuspects
Painting by numbers.
An incandescent anger.
Insurrectionist Welsh history.
Vital, subtle, strong.