Vroom vroom: Fergus Morgan reviews James Ley’s X-rated comedy about a man who rides his car in more ways than one.

Rescued from obscurity: Fergus Morgan reviews an under-appreciated play by Pedro Calderon, in a sparse, metatheatrical production by Wils Wilson

Shapes and colours: Ben Kulvichit reviews two contrasting dance works as part of the Horizon showcase’s public programme.

Rambling conversation: Crystal Bennes writes on the nourishing simplicity of Ben Harrison’s promenade performance.

Object lesson: Lilith Wozniak writes on the Edinburgh-based puppetry and visual theatre festival’s experiments in digital physicality.

‘A story without an ending’: Andrew Edwards writes on Daniel Kitson’s account of the pandemic, from within the thick of it.

Found in translation: Crystal Bennes on the bizarre pleasures of Pu Songling’s classical Chinese fables, adapted for the stage by Grid Iron.

Airlock of the heart: Christine Irvine reviews a visually dazzling but psychologically unsatisfying adaptation of the sci-fi classic from David Greig and Matthew Lutton.

National heroes: Crystal Bennes writes on Scottish nationalism in her review of Wonder Fools’ play about four Scottish miners who volunteered to fight in the Spanish Civil War.

Reinterpreting revenge: Crystal Bennes writes on contemporary relevance in Zinnie Harris’s retelling of John Webster’s bloody tragedy.

Raining on the parade: the magic of David Greig and Mark Knopfler’s musical adaptation of the much-loved 1983 film Local Hero is lost on Crystal Bennes.

Missed the boat: Crystal Bennes reviews Scottish Opera’s new commission about scientists on a research expedition to Greenland.

Using a voice: Crystal Bennes writes on the ‘ethical quandary’ of representation in Kieran Hurley’s examination of class and the appropriation of stories.