Joy and darkness: Lilith Wozniak on the periodically uncomfortable charms of Emma Rice and Joel Horwood’s family show.

Delights at the same time as it challenges: Lilith Wozniak reviews Myrtle Theatre’s follow-up to Up Down Boy.

Overthinking overthinking: Rosemary Waugh reviews the UK touring production of People, Places & Things.

You can feel the bombs rumbling through your shoes: Lilith Wozniak reviews a site-specific immersive show about the siege of Leningrad.

Grief, robbery and Christmas pudding: Kate Wyver reviews James Rowland’s show on tour in Bristol.

Beach combing: Rosemary Waugh reviews the 2017 Made in Bristol production.

Serie A in the senate house: Rosemary Waugh reviews a production of Julius Caesar featuring final year students from the Bristol Old Vic Theatre School.

Of pebbles which the waves draw back: Rosemary Waugh reviews Nic McQuillan’s new one-man show about love and loss.

A warning against consumerism: Naia Headland-Vanni reviews 1927’s Golem, on tour in Bristol.

It’s a wrap: Rosemary Waugh reviews one of the last ever performances of Ontroerend Goed’s superb Sirens.

Being wooed: Rosemary Waugh reviews Ravi Jain’s show about arranged marriage and families.

Theatre Theresa May should be watching: Rosemary Waugh reviews Firebird Theatre’s new work about their company and how it got its name.

“A superbly executed concept by a blisteringly talented group”: Lucian Waugh reviews a modern update of Medea that shares much in common with opera.