Give it time: Ben Kulvichit writes on how durational performances are perfectly suited to the present moment.
Come to the party: Ka Bradley reflects on two communal viewings of Manon – one on a big screen, one on a small screen.
Echoes through time: Hannah Greenstreet writes on her encounters with Alice Birch’s haunting exploration of intergenerational trauma.
Essential work: Alice Saville explores how Nathan Ellis’s interactive play works better from home.
Dancing with death: Ka Bradley reckons with Pina Bausch’s mesmerising dance ritual, across multiple encounters
Interlinked anxieties: Ava Wong Davies writes on Duncan Macmillan’s climate drama in its 2019 revival and its 2020 split screen livestream.