How the light gets in: Frey Kwa Hawking reviews Tinuke Craig’s revival of Bryony Lavery’s gentle comedy about light and life shared between friends.

‘Waspish, punchy and imagistic’: Lily Levinson writes on Niqabi Ninja, an audio-guided walk that casts light on misogynistic violence and street harassment.

Touching the void: Brendan Macdonald writes on Dante or Die’s interactive exploration of touch, which is a reminder of theatre’s ‘ability to provoke deep, intimate connections between audience and performer’.

Mert Dilek writes on Dawn Walton’s revival of Alfred Fagon’s incendiary play, ‘a crucible in which questions of race, class, and gender intermingle’.