Waking nightmare: Emily Davis writes on Morgan Lloyd Malcolm’s ‘panic-strewn and nightmarish’ exploration of ‘some of the worst things that a parent could imagine happening’.

Containing multitudes: Angelo Irving reviews Ryan Calais Cameron’s play about a group of Black men attending group therapy.

Something fishy going on: Brendan Macdonald writes on Marek Horn’s ‘delightful’ ecological satire exploring the human desire to know.

En garde: Hannah Greenstreet writes on Gracie Gardner’s ‘poised, a little weird and deeply funny’ play about a friendship between two teenage fencers.

‘Poetic lyricism and joyful irreverence’: Farah Najib writes on Jasmine Lee-Jones solo show, a personal excavation of the erasure of Black creatives through history.

Rich tapestry: Brendan Macdonald writes on this ‘joyful and critical examination of the Kiln’s local community and its diverse history’.

Desperate remedies: Brendan Macdonald writes on Alice Hamilton’s revival of Shelagh Stephenson’s comedy-drama that explores memory and family.

‘Sucked into the void’: Farah Najib writes on Diane Page’s revival of Athol Fugard’s dense, challenging play that skewers racial injustice.

If I Loved You: Emily Davis reviews Timothy Sheader’s outdoor production of Carousel, which leans into the knottiness of the musical’s themes.

Community living: Elete N-F writes on Tom Wells’s ‘warm, genuine portrait of life in Kilnsea’.

‘Bafflingly profound’: Brendan Macdonald writes on Sam Yates’ haunting revival of Tennessee Williams’ metatheatrical play.

Searching for a unicorn: Farah Najib writes on Kim Scopes’ playful show, which explores and celebrates experiences of bisexuality.

How the light gets in: Frey Kwa Hawking reviews Tinuke Craig’s revival of Bryony Lavery’s gentle comedy about light and life shared between friends.