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OWE & Fringe


Review: NOW Week 4 at The Yard
16 February 2020
Reviews • OWE & Fringe

Review: NOW Week 4 at The Yard

11-15 February, then touring
By Ben Kulvichit

Gods and myths: Ben Kulvichit reviews a double bill of shows about spirituality and Black representation, and queering Greek mythology.


Review: Autoreverse at Battersea Arts Centre
11 February 2020
Reviews • OWE & Fringe

Review: Autoreverse at Battersea Arts Centre

3rd - 22nd February
By Brendan Macdonald

Tangled tapes: Brendan Macdonald writes on Florencia Cordeu’s autobiographical exploration of Argentinian history through cassette tapes.


Review: The Haystack at Hampstead Theatre
11 February 2020
Reviews • OWE & Fringe

Review: The Haystack at Hampstead Theatre

31st January - 7th February
By Hailey Bachrach

Hacked off: Hailey Bachrach reviews Al Blyth’s ‘briskly-plotted political drama’ about online surveillance.


Review: The Bee in Me at Unicorn Theatre
11 February 2020
Reviews • OWE & Fringe

Review: The Bee in Me at Unicorn Theatre

By Ava Wong Davies

Come fly with me: Ava Wong-Daves and her 11-year-old niece team up to review Roland Schimmelpfennig’s insect-based show.


Review: People Show 137: God Knows How Many at Southwark Playhouse
9 February 2020
Reviews • OWE & Fringe

Review: People Show 137: God Knows How Many at Southwark Playhouse

By Naomi Obeng

‘I felt like a wild-eyed child, riveted by strange life happening’: Naomi Obeng writes on People Show’s surrealist collection of ideas and images in their 137th show.


Review: Lite Metle; fire bird at the Yard
30 January 2020
Reviews • OWE & Fringe

Review: Lite Metle; fire bird at the Yard

28th Jan - 1st February
By Maddy Costa

‘Blood drips across the century but the vein still binds’: Maddy Costa writes on double bill of searing performances by Ultimate Dancer and Julie Cunningham, part of NOW 20.


Review: IN A WAY SO BRUTAL at the Yard Theatre
24 January 2020
Reviews • OWE & Fringe

Review: IN A WAY SO BRUTAL at the Yard Theatre

21st-25th January
By Emily Davis

Singing like an open wound: Emily Davis writes on Eirini Kartsaki and Tasos Stamou’s sonic theatre experiment exploring monstered bodies.


Review: Scenes with girls at the Royal Court
23 January 2020
Reviews • OWE & Fringe

Review: Scenes with girls at the Royal Court

15th January - 22nd February
By Frey Kwa Hawking

‘Does love with boys always make you banal?’ Frey Kwa Hawking writes on Miriam Battye’s ‘millennial pink’ new play.


Review: Faces in the Crowd at the Gate Theatre
23 January 2020
Reviews • OWE & Fringe

Review: Faces in the Crowd at the Gate Theatre

By Mert Dilek

Kaleidoscopic haunting: Mert Dilek writes on Ellen McDougall’s dense adaptation of Valeria Luiselli’s spectral novel.


Review: Antigone at New Diorama Theatre
12 January 2020
Reviews • OWE & Fringe

Review: Antigone at New Diorama Theatre

By Hannah Greenstreet

Burial rites: Hannah Greenstreet writes on Lulu Raczka’s sensitive new version of Sophocles’ tragedy that focuses on its sisters.


Review: Scrounger at Finborough Theatre
12 January 2020
Reviews • OWE & Fringe

Review: Scrounger at Finborough Theatre

7th January - 1st February
By Simon Gwynn

Broken spokes: Simon Gwynn reviews Athena Stevens’ ‘amusing, provocative’ exploration of ‘the shit disabled people have to deal with day in, day out’.


Review: The Edit at Theatre 503
11 January 2020
Reviews • OWE & Fringe

Review: The Edit at Theatre 503

By Brendan Macdonald

Under the microscope: Brendan MacDonald writes on Sarah Gordon’s tender but familiar play about two lovers seeking closure.


Review: This Time by Ockham’s Razor, Shoreditch Town Hall
10 January 2020
Reviews • OWE & Fringe

Review: This Time by Ockham’s Razor, Shoreditch Town Hall

8 - 19 January
By Maddy Costa

Circus at the end of the world: Maddy Costa writes on Ockham Razor’s intergenerational aerial collaboration.


Review: The Tyler Sisters, Hampstead Theatre
8 January 2020
Reviews • OWE & Fringe

Review: The Tyler Sisters, Hampstead Theatre

13 December - 18 January
By Frey Kwa Hawking

‘An avalanche of years’: Frey Kwa Hawking writes on Alexandra Wood’s naturalistic depiction of the relationships between sisters over forty years.


Review: Snowflake at Kiln Theatre
19 December 2019
Reviews • OWE & Fringe

Review: Snowflake at Kiln Theatre

By Ava Wong Davies

“Yes, it’s a Brexit play”: Ava Wong Davies writes on the warm-hearted bluntness of Mike Bartlett’s story of intergenerational conflict.


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