Exeunt
  • Reviews
    • London Theatre
    • National
    • Performance
    • Dance
    • Opera
  • Features
    • Q&A and Interviews
    • Essays
    • Opinion
    • Artist-in-Residence
    • Critical Futures
    • Books
  • Performance
  • New York City
  • Podcasts
  • About Exeunt
    • Staff & Contributors
    • Contact Us

exeunt


magazine
  • Reviews
    • London Theatre
    • National
    • Performance
    • Dance
    • Opera
  • Features
    • Q&A and Interviews
    • Essays
    • Opinion
    • Artist-in-Residence
    • Critical Futures
    • Books
  • Performance
  • New York City
  • Podcasts
  • About Exeunt
    • Staff & Contributors
    • Contact Us

OWE & Fringe


Review: Shaw Shorts at Orange Tree Theatre
27 May 2021
Reviews • OWE & Fringe

Review: Shaw Shorts at Orange Tree Theatre

22nd May - 26th June
By Lily Levinson

Plays pleasant: Lily Levinson finds the plays in Paul Miller’s latest George Bernard Shaw production ‘solid chortlers’ if not ‘searingly urgent’.


Review: Open Mic at HOME/Soho Theatre (online)
6 April 2021
Reviews • National • OWE & Fringe

Review: Open Mic at HOME/Soho Theatre (online)

1-3 April
By James Varney

Eye contact: James Varney writes on liveness in Rob Drummond’s unsettling, loss-tinged open mic night.


Review: A Rain Walk at The Place (online)
21 March 2021
Reviews • OWE & Fringe

Review: A Rain Walk at The Place (online)

11-28 March
By Ben Kulvichit

A mood: Ben Kulvichit writes on an audio piece which invites the listener on a stroll in the rain.


Review: Rice! at Omnibus Theatre (online)
3 March 2021
Reviews • OWE & Fringe

Review: Rice! at Omnibus Theatre (online)

20-28 February
By Naomi Obeng

Cooking without a recipe: Naomi Obeng writes on a Malaysian and UK co-production about living across two cultures.


Review: The Fabulist Fox Sister, Southwark Playhouse (online)
7 December 2020
Reviews • OWE & Fringe

Review: The Fabulist Fox Sister, Southwark Playhouse (online)

4th-5th December
By Lily Levinson

“I seancéd my ass off”: Lily Levinson reviews Luke Bateman and Michael Conley’s one-man musical about ‘sozzled, sweary’, Spiritualist sisters.


Review: The Kids Are Alright at Evelyn Estate, Deptford (online)
30 November 2020
Reviews • OWE & Fringe

Review: The Kids Are Alright at Evelyn Estate, Deptford (online)

27 November - 2 December
By Naomi Obeng

‘Dream logic’: Naomi Obeng writes on Encounter’s strange, sad study on grief, reimagined as a filmed site-specific performance.


Review: Sunnymead Court at Tristan Bates Theatre
2 October 2020
Reviews • OWE & Fringe

Review: Sunnymead Court at Tristan Bates Theatre

By Alice Saville

Queer longings: Gemma Lawrence’s play charts a lockdown romance forged at a distance.


Review: Yard Online
19 May 2020
Reviews • OWE & Fringe

Review: Yard Online

17th May
By Hannah Greenstreet

Hope and healing: Hannah Greenstreet writes on the intimate, soothing and disconcerting interactive digital performances at The Yard’s one day festival.


Review: TRAINERS at the Gate Theatre
5 March 2020
Reviews • OWE & Fringe

Review: TRAINERS at the Gate Theatre

By Frey Kwa Hawking

‘This trying is pointed at you, because the show felt pointed at me for once’: Frey Kwa Hawking writes on Sylvan Oswald’s ‘theatrical essay’ about transness and love.


Review: Christopher Green: No Show at the Yard
4 March 2020
Reviews • OWE & Fringe

Review: Christopher Green: No Show at the Yard

By Brendan Macdonald

The reluctant critic: Brendan MacDonald writes on Christopher Green’s tricksy performance of a crisis of faith in theatre.


Review: I Think We Are Alone at Theatre Royal Stratford East
3 March 2020
Reviews • OWE & Fringe

Review: I Think We Are Alone at Theatre Royal Stratford East

By Frey Kwa Hawking

Are we alone? Frey Kwa Hawking writes on Frantic Assembly’s ‘unwieldy’ new show that constellates characters in grief and loneliness.


Review: Meat at Theatre503
28 February 2020
Reviews • OWE & Fringe

Review: Meat at Theatre503

By Mert Dilek

Food fight: Mert Dilek writes on Gillian Greer’s exploration of appetites and consent.


Review: When It Breaks It Burns, Battersea Arts Centre
24 February 2020
Reviews • OWE & Fringe

Review: When It Breaks It Burns, Battersea Arts Centre

By Maddy Costa

Bodies in a movement: Maddy Costa writes on Coletiva Ocupação’s ‘radiant’ show telling the stories of some of the Brazilian students who occupied their schools in 2015.


Review: Pass Over at Kiln Theatre
20 February 2020
Reviews • OWE & Fringe

Review: Pass Over at Kiln Theatre

13th February - 21st March
By Frey Kwa Hawking

Waiting for transcendence: Frey Kwa Hawking writes on Antoinette Nwandu’s play racist police violence and structural discrimination in America.


Review: The High Table at the Bush Theatre
18 February 2020
Reviews • OWE & Fringe

Review: The High Table at the Bush Theatre

8th February - 21st March
By Hannah Greenstreet

Heaven-sent: Hannah Greenstreet writes on Temi Wilkey’s moving queer Nigerian love story, set in London and the afterlife.


  • Page 3 of 128
  • Previous
  • 1
  • 2
  • 3 (current)
  • 4
  • 5
  • 6
  • 7
  • Next
  • Last
Features
  • Q&A and Interviews
  • Essays
  • Opinion
  • Podcast
Reviews
  • OWE & Fringe
  • West End & Central
  • National
  • NYC
  • Performance

exeunt

  • About Exeunt
  • Staff & Contributors
  • Contact Us
  • Subscribe