A life contained within four walls: Francesca Peschier writes on Wardrobe Ensemble’s poignant devised narrative of homecoming.

A bumpy ride: Francesca Peschier writes on Katie Greenall’s tense show about her journey to body acceptance.

Woozy half-consciousness: Ben Kulvichit writes on Darkfield’s latest shipping container show.

A fragmentary picture: Tom Moyser writes on Sean Mahoney’s lyrical monologue.

Crystal Bennes’ is unmoved by Forced Entertainment’s time-travelling monologue.

A peppery start: Tom Moyser writes on an intriguing but unready set of plays by four emerging female writers.

Heartbeats: Louise Jones writes on an intimate physical theatre dissection of a break up.

What word best describes you? Here’s Francesca Peschier’s interactive response to a one woman show about identity and loneliness.

Playing ball: Tom Moyser writes on the tense emotional back and forth of Sam Steiner’s superb new play.

Flawed heroics: Crystal Bennes writes on a conventional staging of Tchaikovsky’s Pushkin-inspired opera.

Securely knotted: Ava Wong Davies writes on Ming Ho’s intricate, site-specific exploration of British-Chinese identity.

Floating away: Ava Wong Davies writes on a lukewarm devised piece about grief and wild swimming.

Tom Moyser writes on an “exceptionally, disarmingly gentle” musical set on a tiny Scottish island.

“A strange and difficult sting”: Nicole Serratore writes on Daniel Ward’s gig-theatre story of racism and dislocation at a private school.