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Edinburgh Fringe 2019


Edinburgh fringe review: The Last of the Pelican Daughters by Wardrobe Ensemble
28 August 2019
Reviews • Edinburgh Fringe 2019

Edinburgh fringe review: The Last of the Pelican Daughters by Wardrobe Ensemble

By Francesca Peschier

A life contained within four walls: Francesca Peschier writes on Wardrobe Ensemble’s poignant devised narrative of homecoming.


Edinburgh fringe review: Fatty Fat Fat by Katie Greenall
27 August 2019
Reviews • Edinburgh Fringe 2019

Edinburgh fringe review: Fatty Fat Fat by Katie Greenall

By Francesca Peschier

A bumpy ride: Francesca Peschier writes on Katie Greenall’s tense show about her journey to body acceptance.


An Odyssey of Onstage Queer Orgasms
25 August 2019
Features • Edinburgh Fringe 2019

An Odyssey of Onstage Queer Orgasms

By Francesca Peschier

Francesca Peschier writes on the shows bringing ecstatic moments and authentic queer people of colour’s experiences to the Edinburgh fringe.


Edinburgh fringe review: Coma by Glen Neath and David Rosenberg
25 August 2019
Reviews • Edinburgh Fringe 2019

Edinburgh fringe review: Coma by Glen Neath and David Rosenberg

By Ben Kulvichit

Woozy half-consciousness: Ben Kulvichit writes on Darkfield’s latest shipping container show.


Edinburgh fringe review: Back of the Head with a Brick by Sean Mahoney
25 August 2019
Reviews • Edinburgh Fringe 2019

Edinburgh fringe review: Back of the Head with a Brick by Sean Mahoney

By Tom Moyser

A fragmentary picture: Tom Moyser writes on Sean Mahoney’s lyrical monologue.


Edinburgh fringe review: To Move in Time by Tim Etchells
25 August 2019
Reviews • Edinburgh Fringe 2019

Edinburgh fringe review: To Move in Time by Tim Etchells

By Crystal Bennes

Crystal Bennes’ is unmoved by Forced Entertainment’s time-travelling monologue.


Edinburgh fringe reviews: Breakfast Plays – The Future Is […]
25 August 2019
Reviews • Edinburgh Fringe 2019

Edinburgh fringe reviews: Breakfast Plays – The Future Is […]

By Tom Moyser

A peppery start: Tom Moyser writes on an intriguing but unready set of plays by four emerging female writers.


Edinburgh fringe review: Post-Mortem by Iskandar Sharazuddin
23 August 2019
Reviews • Edinburgh Fringe 2019

Edinburgh fringe review: Post-Mortem by Iskandar Sharazuddin

By Louise Jones

Heartbeats: Louise Jones writes on an intimate physical theatre dissection of a break up.


Edinburgh fringe review: Collapsible by Margaret Perry
22 August 2019
Reviews • Edinburgh Fringe 2019

Edinburgh fringe review: Collapsible by Margaret Perry

By Francesca Peschier

What word best describes you? Here’s Francesca Peschier’s interactive response to a one woman show about identity and loneliness.


Edinburgh fringe review: A Table Tennis Play by Walrus
22 August 2019
Reviews • Edinburgh Fringe 2019

Edinburgh fringe review: A Table Tennis Play by Walrus

By Tom Moyser

Playing ball: Tom Moyser writes on the tense emotional back and forth of Sam Steiner’s superb new play.


EIF review: Eugene Onegin, directed by Barrie Kosky
21 August 2019
Reviews • Edinburgh Fringe 2019

EIF review: Eugene Onegin, directed by Barrie Kosky

By Crystal Bennes

Flawed heroics: Crystal Bennes writes on a conventional staging of Tchaikovsky’s Pushkin-inspired opera.


Edinburgh fringe review: Citizens of Nowhere by Ming Ho
21 August 2019
Reviews • Edinburgh Fringe 2019

Edinburgh fringe review: Citizens of Nowhere by Ming Ho

By Ava Wong Davies

Securely knotted: Ava Wong Davies writes on Ming Ho’s intricate, site-specific exploration of British-Chinese identity.


Edinburgh fringe review: SWIM at Pleasance Courtyard
20 August 2019
Reviews • Edinburgh Fringe 2019

Edinburgh fringe review: SWIM at Pleasance Courtyard

By Ava Wong Davies

Floating away: Ava Wong Davies writes on a lukewarm devised piece about grief and wild swimming.


Edinburgh fringe review: Islander
20 August 2019
Reviews • Edinburgh Fringe 2019

Edinburgh fringe review: Islander

By Tom Moyser

Tom Moyser writes on an “exceptionally, disarmingly gentle” musical set on a tiny Scottish island.


Edinburgh fringe review: The Canary and the Crow by Daniel Ward
20 August 2019
Reviews • Edinburgh Fringe 2019

Edinburgh fringe review: The Canary and the Crow by Daniel Ward

By Nicole Serratore

“A strange and difficult sting”: Nicole Serratore writes on Daniel Ward’s gig-theatre story of racism and dislocation at a private school.


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