Inheritance, rejection, stasis: Ava Davies reviews Living House Theatre’s playful take on art and history.
Voices have to be heard: Eve Allin on why this well-meaning political piece doesn’t tell the whole story.
Just plain fun: Crystal Bennes on a riotously camp version of Bram Stoker’s blood-sucking horror classic.
Olympian struggles: Henry Naylor’s play explores the histories of two female German Jewish athletes.
Hailey Bachrach reviews Kit Finnie’s solo show that promises ‘a feminist ghost story’.
Hailey Bachrach reviews a musical version of ‘the perennially adapted tale of a dude who had one job’.
‘Padded and glittering’: Hailey Bachrach reviews the musical take on Marvel.
Deep and rich and jagged: Ava Davies on ThisEgg’s fluid exploration of bodies and trauma.
None of this has to be true: Eve Allin reviews Poltergeist Theatre’s sci-fi show.
Hailey Bachrach reviews ‘a sweet and delicate show about a boy and a girl in the English countryside’, a new play using folk music by TRILLS.
‘Glitters with warmth’: Ava Davies reviews Le Gateau Chocolat’s cabaret version of The Ugly Duckling.
What does it mean to reclaim Shakespeare? Hailey Bachrach reviews Mulberry Theatre Company’s revision of Henry V.