Intensely emotional: Charley Miles’ debut play is a love story set in a Yorkshire village.
‘A rush of catastrophic thinking moving in slow motion’: Ava Davies on a reality-distorting two-hander.
A sacred leaf: Colombian artist Miguel Hernando Torres Umba performs this exploration of the narcotrafficking industry.
Kieran Hurley and Gary McNair’s play is a “delicate exploration of going from boy to man”.
Millennial despair: Anorak’s debut show is soaked in anxiety.
The child prodigy: Freddie Machin reviews Circa’s show for kids about Mozart.
Eurovision: Freddie Machin reviews Big in Belgium’s musical trip across Europe post-Brexit vote.
The games people play: Freddie Machin on a show about the rhythms and patterns of relationships.
Alice Saville on Adam Lazarus’s controversial (but not controversial enough) narrative of male violence.
Behind our Skin reveals ‘the power of simply telling stories.’
Eve Allin sees the writer through her poems in Love Songs.
Nicole Serratore reviews Ulster American, a new play ‘so wild it beggars belief’.
‘He holds us as if we are children’: Eve Allin on an intimate hour with [insert slogan here]’s Sam Ward.
‘An indictment of all of us’: Freddie Machin reviews Mark Thomas’ illusion-shattering take on the state of the NHS.
Silence, breathing: Rosemary Waugh reviews Ima Iduozee at the Edinburgh Fringe.