Hannah Greenstreet writes on Lydia Larson’s hilarious monologue about “the fantasy lives we build to survive”.

Visual richness: Hannah Greenstreet writes on the images of Breach Theatre’s show, which dramatises the story of baroque painter Artemisia Gentileschi.

Sisyphus with a shitty cell phone: Nicole Serratore reviews Eve Nicol’s play about modern relationships.

Om nom nom nom nom: Tom Moyser reviews Mamoru Iriguchi’s show for children.

The elephant in the room: Freddie Machin reviews Nick Mohammed’s alter ego Mr Swallow, back with an old-school magic show.

Warmly chaotic: Ava Davies reviews Ell Potter and Mary Higgins’ show about bodies.

Sleeping is a kind of time travel… Crystal Bennes reviews a spoken word performance by Rosy Carrick.

Waves of anger: Nicole Serratore writes on Penelope Skinner’s play, and the grim realities of toxic masculinity online.

Why not add a little camp to the divided camps?: Brendan Macdonald reviews Jonny Woo’s glam take on a glum subject.

Free skating: Far away from Edinburgh’s city centre, Le Patin Libre’s ice dance performance feels magical.

Holding your breath: Martin Zimmerman’s monologue is a tense exploration of gun violence and trauma.