A genre-defying delight: Tom Moyser writes on a solo show that explores the lure of old cassettes.
Edinburgh Fringe 2018
20 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh review: Prehistoric at Summerhall
By Alice Saville
Crushed feels: this story of the late 1970s Brisbane punk scene is emotive and brutal.
20 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: The Spinners at Dance Base
13 - 19 August 2018
By Rosemary Waugh
Weaving history: Rosemary Waugh reviews a piece of dance-theatre based on the Greek mythological characters.
19 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh fringe review: Freeman at Pleasance
Until 27th August
By Crystal Bennes
Destroyed lives: Crystal Bennes writes on a powerful exploration of racially-motivated miscarriages of justice.
19 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh fringe review: Ladykiller by The Thelmas
Until 27th August
By Hannah Greenstreet
Bloody funny: Hannah Greenstreet writes on a comic monologue about a female psychopath.
19 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: Harpy at Underbelly Cowgate
Until 26 August 2018
By Rosemary Waugh
Collector of stuff: Rosemary Waugh reviews Su Pollard at the Edinburgh Fringe.
19 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: Drip Feed at Assembly George Square
Until 26 August 2018
By Rosemary Waugh
Saving the bears: Rosemary Waugh reviews Karen Cogan’s unsettling Cork-set monologue.
19 August 2018
Features • Edinburgh Fringe 2018
Tom Wells: “We want to bring people in”
By Frey Kwa Hawking
Playwright Tom Wells chats to Frey Kwa Hawking about gay representation in theatre, making work outside London, and the power of panto.
19 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: Off-Kilter at Dance Base
Until 26 August 2018
By Crystal Bennes
Everything is not going to plan: Crystal Bennes reviews a piece of visual theatre about disrupting routines.
19 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: Giselle at Dance Base
3 - 19 August 2018
By Rosemary Waugh
Zombie dancing: Rosemary Waugh reviews Ballet Ireland’s new version of the classic ballet.
19 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: Power Play: The Empty Chair at Pleasance Pop-Up
Until 25 August 2018
By Hannah Greenstreet
Can we talk about #metoo plays? Hannah Greenstreet reviews a play exploring sexual abuse in Hollywood.
19 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: The Gruffalo, The Witch and the Warthog with Julia Donaldson at Underbelly
Until 27 August 2018
By Duska Radosavljevic
Story-time: DuÅ¡ka Radosavljević reviews a show by the ever-popular children’s author Julia Donaldson.
18 August 2018
Features • Edinburgh Fringe 2018
Exeunt Recommends: Edinburgh Fringe, Week Two
By Alice Saville
At the Edinburgh fringe’s midpoint, here are the shows that Exeunt’s writers think you should see.
18 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: Chase Scenes at Summerhall
Until 26 August 2018
By Tom Moyser
Keep on running: Tom Moyser reviews a show about ‘The mechanics of being chased”.
18 August 2018
Reviews • Edinburgh Fringe 2018
Edinburgh Review: DollyWould at Summerhall
Until 26 August 2018
By Duska Radosavljevic
‘A superbly constructed essay on fandom’: DuÅ¡ka Radosavljević reviews Sh!t Theatre’s love letter to Dolly Parton.