Crushed feels: this story of the late 1970s Brisbane punk scene is emotive and brutal.

Weaving history: Rosemary Waugh reviews a piece of dance-theatre based on the Greek mythological characters.

Destroyed lives: Crystal Bennes writes on a powerful exploration of racially-motivated miscarriages of justice.

Bloody funny: Hannah Greenstreet writes on a comic monologue about a female psychopath.

Collector of stuff: Rosemary Waugh reviews Su Pollard at the Edinburgh Fringe.

Saving the bears: Rosemary Waugh reviews Karen Cogan’s unsettling Cork-set monologue.

Everything is not going to plan: Crystal Bennes reviews a piece of visual theatre about disrupting routines.

Zombie dancing: Rosemary Waugh reviews Ballet Ireland’s new version of the classic ballet.

Can we talk about #metoo plays? Hannah Greenstreet reviews a play exploring sexual abuse in Hollywood.

Story-time: DuÅ¡ka Radosavljević reviews a show by the ever-popular children’s author Julia Donaldson.

Keep on running: Tom Moyser reviews a show about ‘The mechanics of being chased”.

‘A superbly constructed essay on fandom’: DuÅ¡ka Radosavljević reviews Sh!t Theatre’s love letter to Dolly Parton.