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Edinburgh Fringe 2018


Edinburgh Review: Zugunruhe at Zoo Southside
29 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh Review: Zugunruhe at Zoo Southside

Until 26 Aug 2018
By Crystal Bennes

‘Anxious behaviour’: Crystal Bennes reviews a solo show based on the migratory instincts of the marsh warbler.


Edinburgh review: First Snow/Première Neige at Canada Hub
29 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh review: First Snow/Première Neige at Canada Hub

By Crystal Bennes

Crystal Bennes writes on a bilingual play that explores ideas of independence, identity and duality in Québec.


A Decade of Fringes
28 August 2018
Features • Edinburgh Fringe 2018

A Decade of Fringes

By Natasha Tripney

Natasha Tripney writes on the time-bending, memory-layering properties of returning to Edinburgh for the festival fringe, year after year.


Review: La Maladie de la Mort at Edinburgh International Festival
28 August 2018
Reviews • Edinburgh Fringe 2018

Review: La Maladie de la Mort at Edinburgh International Festival

By Lilith Wozniak

Emotional disconnection: Lilith Wozniak writes on Katie Mitchell and Alice Birch’s unsettling retelling of a story of a sexual fantasy.


Edinburgh review: The Half
27 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh review: The Half

By Lauren Mooney

Double act: Danielle Ward’s debut play follows two female comedians in an industry that pits women against each other.


Edinburgh Review: Baby Face at Summerhall
27 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh Review: Baby Face at Summerhall

By Lauren Mooney

Lauren Mooney reviews Katy Dye’s debut show about ‘a cultural sexualisation of youth and innocence.’


Edinburgh review: Drip at Paines Plough Roundabout
27 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh review: Drip at Paines Plough Roundabout

By Lauren Mooney

Life-saving warmth: Lauren Mooney on Tom Wells’ heartfelt tale of teenagers and sychronised swimming.


Exeunt recommends: Edinburgh Fringe, Week Three
26 August 2018
Features • Edinburgh Fringe 2018

Exeunt recommends: Edinburgh Fringe, Week Three

By Alice Saville

As the fringe rumbles to a close, here are the shows that Exeunt’s writers wouldn’t want you to forget.


Edinburgh Review: Shit-Faced Shakespeare: Hamlet at Underbelly
26 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh Review: Shit-Faced Shakespeare: Hamlet at Underbelly

27 August 2018
By Tom Moyser

“I think I’m going to be OK actually,”: Tom Moyser review Shit-faced Shakespeare’s first attempt at tragedy.


Edinburgh Review: Until You Hear That Bell at Summerhall
25 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh Review: Until You Hear That Bell at Summerhall

Until 26 August 2018
By Tom Moyser

His speech hits and hits and hits its mark: Tom Moyser reviews Sean Mahoney’s spoken word performance.


Edinburgh Review: People Show 130: The Last Straw at Summerhall
24 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh Review: People Show 130: The Last Straw at Summerhall

Until 26 August 2018
By Annegret Märten

Take the quiz! Annegret Marten reviews People Show’s new work about fake news and unreality.


Edinburgh Review: Black and White Tea Room at Assembly Rooms
24 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh Review: Black and White Tea Room at Assembly Rooms

Until 25 August 2018
By Rosemary Waugh

A surprising encounter: Rosemary Waugh writes on Cha Hyun Suk’s play.


Edinburgh Review: Autóctonos II at ZOO Southside
23 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh Review: Autóctonos II at ZOO Southside

Until 27th August
By Ben Kulvichit

Frustrating and mesmerising: Ben Kulvichit reviews a powerful physical study of uniformity and movement.


Edinburgh Review: User Not Found
23 August 2018
Reviews • Edinburgh Fringe 2018

Edinburgh Review: User Not Found

By Brendan Macdonald

Is there digital life after death?: Brendan Macdonald’s review of Chris Goode’s performance takes the form of a Twitter feed.


Edinburgh Review: Carmen Funebre & Silence at Pleasance at EICC
23 August 2018
Reviews • Edinburgh Fringe 2018 • Reviews

Edinburgh Review: Carmen Funebre & Silence at Pleasance at EICC

By Crystal Bennes

Striking images: Crystal Bennes compares two works by Polish company Teatr Biuro Podrozy.


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