We’ll meet again: Lily Levinson writes on Kandinsky’s new show, which thoughtfully explores ‘the bleak dangers of nostalgic nationalism’.

Talking cure: Brendan Macdonald reviews a new production of Mark St Germain’s play that imagines an encounter between Sigmund Freud and Lewis Carroll.

Anxieties of authorship: Brendan Macdonald writes on Kate Reid’s play, which explores representations of Northern Ireland through ‘an engaging and poignant drama’.

‘A warm twinkle and touches of wonder’: Lily Levinson writes on Theatre Re’s ensemble fairytale.

A soaring voice: Emily Davis writes on Nell Leyshon’s new play that captures ‘how it feels to sing and love singing’ through the history of folk songs.

‘A heady, carousing festive fantasy’: Brendan Macdonald reviews Taylor Mac’s virtual vaudeville.

New writing, old tropes: Hannah Greenstreet reviews an overly reverent backward-looking take on the story of formidable literary agent Peggy Ramsay.

Spooky season: Elete N-F writes on Poltergeist’s audio-guided narrative walk that ‘brings life to an otherwise pretty lifeless area’.