The relationship between magic and television.
Paths from student theatre to the wider industry.
Student theatre criticism as a springboard for debate.
Student theatre and the mainstream.
Recognising and applying theatrical metaphor.
Not collaborative utopia; being kept out.
Interrogating guidelines and ways of working.
Reviewing and the variety circuit.
Carving a space to talk critically.
The consumer culture in magic.
Magic and its absolutes.
Re-imagining opera for today.
Morgan and West on magic’s necessary layers of deception.
A cross-media mash-up.
The benefits of making work the hard way.