In response to Hannah Khalil’s blog post, Naomi Joseph explores how theatremakers manage multiple careers.

Following the announcement that Lyn Gardner’s position as Guardian theatre critic is being cut, Andy Field writes on why her role is too important to be lost.

Andy Field writes on how encounters with the natural world inspired a new night-time performance, on as part of LIFT Festival 2018.

A desperate need for dialogue: Katherina Radeva writes on why she’s organising a day of ideas-sharing around questions of otherness and identity.

Tara Fatehi Irani writes on her year-long project, making 365 performance-installations which shared micro-histories from her family archive from Tehran.

Poppy Burton-Morgan explores how female-led circus companies are dismantling and reimagining gender on stage.

Ahead of her show ‘The Year of the Rooster Monk’ at Vault Festival, Giselle LeBleu writes on resurrecting pre-digital ghosts and channeling dark forces.

The artistic director of Cardboard Citizens talks theatre and oppression, in response to Nathan Lucky Wood’s piece ‘The Trouble With Outreach’.