An Edinburgh preview of sorts.
Essays
9 June 2011
Features • Essays
May The Farce Be With You
By Henry Bell
Director Henry Bell on Victorian Farce and John Maddison Morton.
8 June 2011
Features • Essays
Wilton’s Music Hall: A Treasure Under Threat
By Tracey Sinclair
The campaign to save a unique London venue.
17 May 2011
Features • Essays
Fire exits and other stage directions
By Natasha Tripney
Michael Pinchbeck on endings and exits.
14 May 2011
Features • Essays
The Wonderful World of…
By Natasha Tripney
Bent Architect on making theatre about mental illness.
1 May 2011
Features • Essays
A Gleek Speaks
By Tracey Sinclair
Why Glee is good for theatre.
14 April 2011
Features • Essays
Intimacy and Performance
By Natasha Tripney
A poet’s apologetic journey into immersive theatre.
5 March 2011
Features • Essays
The Necessity of Narrative?
By Deborah Pearson
Might we escape the human need for stories to order our lives.
2 March 2011
Features • Essays
Act Three: A Defence of the Word
By Daniel B. Yates
What or how much can be said without words?
22 February 2011
Features • Essays
Glorious
By Rajni Shah
Rajni Shah on her new musical Glorious, intervention, and frivolity.
18 February 2011
Features • Essays
Act Two: A Distinction Between Showbiz and Art
By Daniel B. Yates
Art must be “a passionate, individual vision tailored for no one in particular.”
9 February 2011
Features • Essays
On the Nature of Interpretation: Act One of an essay by Arnold Wesker
By Daniel B. Yates
A madness is sweeping through world theatre.